"Der Fischer und das Milchmädchen: V. Corps de ballet" by Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi was released on October 28, 2022. With Der Fischer und das Milchmädchen: V. Corps de ballet being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi's "Meyerbeer: Overtures & Stage Music" album is number 7 out of 28. On top of that, Hong Kong appears to be the country where this track was created. Der Fischer und das Milchmädchen: V. Corps de ballet is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Fischer und das Milchmädchen: V. Corps de ballet by Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amadis de Gaule, W. G39: Act II Scene V: Gigue | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 132 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: I. Allegro Assai | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 0 | 10B | 96 BPM | ||
Concerto for Clarinet No. 2 in E-Flat Major, Op. 74: I. Allegro | Carl Maria von Weber, Alberto Lizzio, North German Philharmonic Orchestra, Alexander Ivanov | A Major | 2 | 11B | 80 BPM | ||
Grand Overture in D Major Op. 18, No. 3, W. G15: III. Allegro assai | Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | D Major | 2 | 10B | 131 BPM | ||
Phantasie über Mozart's "Là ci darem la mano" | Franz Danzi, Martin Fröst, Singapore Symphony Orchestra, Lan Shui | B♭ Major | 0 | 6B | 67 BPM | ||
Guitar Quintet No. 9 in C Major, G. 453, "La Ritirata di Madrid": III. Allegretto | Luigi Boccherini, Zoltan Tokos, Danubius Quartet | E Major | 1 | 12B | 133 BPM | ||
Symphony No. 2 in C Major, Op. 61: III. Adagio espressivo | Robert Schumann, Jan Willem de Vriend, Stavanger Symphony Orchestra | E♭ Major | 0 | 5B | 74 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
12 Melodische Tonstücke for Piano, Op. 70: No. 7 Prelude | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM |
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