"O Haupt voll blut und wunden: III. Choral "Ich will hier bei dir Stehen"" by Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris was released on November 7, 2011. With O Haupt voll blut und wunden: III. Choral "Ich will hier bei dir Stehen" being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Accentus, Laurence Equilbey's "Mendelsohn: Christus" album is number 10 out of 16. On top of that, France appears to be the country where this track was created. O Haupt voll blut und wunden: III. Choral "Ich will hier bei dir Stehen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O Haupt voll blut und wunden: III. Choral "Ich will hier bei dir Stehen" by Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wie liegt die Stadt so wust | Rudolf Mauersberger, Sospiri, Christopher Watson | B♭ Minor | 0 | 3A | 145 BPM | ||
La Betulia liberata: Aria "Prigionier che fa ritorno" | Niccolò Jommelli, Delphine Galou, Accademia Bizantina, Ottavio Dantone | D♭ Major | 1 | 3B | 139 BPM | ||
Te Deum in C major, H. 23c/2 | Joseph Haydn, La Petite Bande, Sigiswald Kuijken | C Major | 1 | 8B | 111 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II: Come, ye sons of art, away | Henry Purcell, Michael Chance, The English Concert, Trevor Pinnock, The English Concert Choir | D♭ Major | 2 | 3B | 81 BPM | ||
Ave Generosa | Ola Gjeilo, The Choir of Royal Holloway | G Minor | 2 | 6A | 139 BPM | ||
Petite messe solennelle: Cum Sancto Spiritu | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | F Major | 2 | 7B | 100 BPM | ||
Sunrise Mass: IV. Identity | Ola Gjeilo, Westminster Williamson Voices, Sunrise Mass Orchestra, James Jordan | A♭ Major | 2 | 4B | 83 BPM | ||
Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
All-night Vigil, Op. 37, "Vespers": Hail, O Virgin Mother (Ave Maria) | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 139 BPM |
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