On January 1, 2006, the song "Sonata In G Minor For Violin And Continuo, So 33: Corrente: Allegro" was released by Tomaso Albinoni, La Serenissima, Adrian Chandler, violin. The duration of Sonata In G Minor For Violin And Continuo, So 33: Corrente: Allegro is about 3 minutes long, at 3:07. Based on our data, "Sonata In G Minor For Violin And Continuo, So 33: Corrente: Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Per Monsieur Pisendel - Six Virtuoso Violin Sonatas Of The Baroque". In this album, this song's track order is #13. The popularity of Sonata In G Minor For Violin And Continuo, So 33: Corrente: Allegro is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Sonata In G Minor For Violin And Continuo, So 33: Corrente: Allegro by Tomaso Albinoni, La Serenissima, Adrian Chandler, violin having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Quartet in G major / Sol majeur / G-dur: I. Largo - Allegro - Largo | Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester | F♯ Major | 1 | 2B | 123 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM |
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