The Soldier's Tale (Narrated by Roger Waters): Part I: The Soldiers March (Reprise)
Igor Stravinsky, Roger Waters, Bridgehampton Chamber Music Festival Musicians
The Soldier's Tale (Narrated by Roger Waters)
1:48 October 26, 2018
BPM
91
Key
F Major
Camelot
7B

Embed

Share Link

The Soldier's Tale (Narrated by Roger Waters): Part I: The Soldiers March (Reprise) - Igor Stravinsky, Roger Waters, Bridgehampton Chamber Music Festival Musicians Information

Acousticness
44%
Danceability
62%
Energy
85%
Instrumentalness
81%
Liveness
15%
Loudness
84%
Speechiness
4%
Valence
72%
Popularity
Loudness
-9.349 dB

Summary

Igor Stravinsky, Roger Waters, Bridgehampton Chamber Music Festival Musicians made "The Soldier's Tale (Narrated by Roger Waters): Part I: The Soldiers March (Reprise)" available on October 26, 2018. With The Soldier's Tale (Narrated by Roger Waters): Part I: The Soldiers March (Reprise) being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "The Soldier's Tale (Narrated by Roger Waters)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, The Soldier's Tale (Narrated by Roger Waters): Part I: The Soldiers March (Reprise) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

The Soldier's Tale (Narrated by Roger Waters): Part I: The Soldiers March (Reprise) BPM

With The Soldier's Tale (Narrated by Roger Waters): Part I: The Soldiers March (Reprise) by Igor Stravinsky, Roger Waters, Bridgehampton Chamber Music Festival Musicians having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

The Soldier's Tale (Narrated by Roger Waters): Part I: The Soldiers March (Reprise) Key

This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonSchoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquiloArnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonE Minor19A125 BPM
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) by Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezConcerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo)Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezD Major110B73 BPM
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegro by Johannes Brahms, Wiener Philharmoniker, Carlos KleiberSymphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegroJohannes Brahms, Wiener Philharmoniker, Carlos KleiberF♯ Major72B129 BPM
Symphony No.4 In G: 2. In gemächlicher Bewegung. Ohne Hast by Gustav Mahler, Cleveland Orchestra, Pierre Boulez, William PreucilSymphony No.4 In G: 2. In gemächlicher Bewegung. Ohne HastGustav Mahler, Cleveland Orchestra, Pierre Boulez, William PreucilC Major08B129 BPM
Eine Alpensinfonie: X. Nacht by Richard Strauss, Bernard Haitink, London Symphony OrchestraEine Alpensinfonie: X. NachtRichard Strauss, Bernard Haitink, London Symphony OrchestraB♭ Minor03A86 BPM
Schoenberg: Verklärte Nacht, Op. 4: I. Grave by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonSchoenberg: Verklärte Nacht, Op. 4: I. GraveArnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonD Minor17A174 BPM
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes by Olivier Messiaen, Martin FröstQuatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettesOlivier Messiaen, Martin FröstD♭ Major23B107 BPM
St. Paul's Suite, Op. 29, No. 2: II. Ostinato by Gustav Holst, English Sinfonia, Howard GriffithsSt. Paul's Suite, Op. 29, No. 2: II. OstinatoGustav Holst, English Sinfonia, Howard GriffithsC Major18B108 BPM
Symphony No. 2: II. Allegro molto by Sergei Rachmaninoff, Valery Gergiev, London Symphony OrchestraSymphony No. 2: II. Allegro moltoSergei Rachmaninoff, Valery Gergiev, London Symphony OrchestraF Major17B146 BPM
3 Pieces in Old Style: No. 3. Menuetto II by Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit3 Pieces in Old Style: No. 3. Menuetto IIKrzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni WitD Major110B119 BPM
ISRC
USQX91802233
Label
L-M Records/RCA Records

Section: 0.7041621208190918

End: 0.7083320617675781