Taipei New Dynasty Philharmonic & Chorus, Stella Chang, Angelo Marenzi, Vittorio Wu Bai's 'Transcendental Symphony Part IV. Finale 3 'Hymn of Universe'' came out on 2005. Since Transcendental Symphony Part IV. Finale 3 'Hymn of Universe' is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Ritzen: Heavenly Peace Transcendental Symphony (World Premiere Recording)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Taiwan. In terms of popularity, Transcendental Symphony Part IV. Finale 3 'Hymn of Universe' is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Transcendental Symphony Part IV. Finale 3 'Hymn of Universe' by Taipei New Dynasty Philharmonic & Chorus, Stella Chang, Angelo Marenzi, Vittorio Wu Bai having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: Pavane, Op. 50 (Version with Chorus) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | F♯ Minor | 0 | 11A | 78 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Puccini: Madama Butterfly, Act 2, Scene 2: Coro a bocca chiusa (Chorus) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Major | 0 | 6B | 79 BPM | ||
Symphony No.2: 2. Allegro risoluto | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 3 | 4B | 101 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM | ||
The Perfect Fool, Ballet Music Op. 39: 2. Dance of Spirits of Water | Gustav Holst, London Philharmonic Orchestra, Sir Adrian Boult | A Minor | 0 | 8A | 76 BPM | ||
Tosca / Act 2: "Tosca, finalmente mia!" | Giacomo Puccini, Montserrat Caballé, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | D♭ Minor | 4 | 12A | 108 BPM | ||
Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra | D Major | 1 | 10B | 99 BPM | ||
Bilder einer Ausstellung: Nr. 2 Il vecchio castello | Modest Mussorgsky, Karl Anton Rickenbacher | D♭ Minor | 0 | 12A | 132 BPM |
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