"Bist du bei mir, BWV 508" by Elisabeth Schwarzkopf was released on September 16, 2010. The duration of Bist du bei mir, BWV 508 is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Bist du bei mir, BWV 508's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 9 in Ave Maria by Elisabeth Schwarzkopf. Based on our statistics, Bist du bei mir, BWV 508's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bist du bei mir, BWV 508 by Elisabeth Schwarzkopf is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Gente, gente, all'armi" | Wolfgang Amadeus Mozart, Thomas Hampson, Ferruccio Furlanetto, Anthony Laciura, Renato Capecchi, Dawn Upshaw, Heidi Grant Murphy, Anne Sofie von Otter, Tatiana Troyanos, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 114 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b | Hector Berlioz, Théophile Gautier, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon | A Major | 1 | 11B | 134 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 1) Entr'acte and Waltz With Chorus. "Vot tak syurpriz!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Jürgen Hartfiel, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Pomme d'Api: Bonjour Monsieur, je suis la bonne (Couplet) | Jacques Offenbach, Vesselina Kasarova, Ulf Schirmer | D Major | 0 | 10B | 78 BPM | ||
St. Matthew Passion, BWV 244: No. 8, Recitative, 'Da das Jesus merkete' | Dietrich Fischer-Dieskau, Sir Peter Pears, Elisabeth Schwarzkopf, Christa Ludwig, Nicolai Gedda, Walter Berry, John Carol Case, Dame Janet Baker | D Minor | 1 | 7A | 90 BPM | ||
Mozart: Die kleine Spinnerin, K. 531 | Wolfgang Amadeus Mozart, Elisabeth Schwarzkopf, Walter Gieseking | C Major | 3 | 8B | 147 BPM | ||
Der Freischütz, J. 277 / Act III: "Und ob die Wolke sie verhülle" | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | A♭ Major | 1 | 4B | 84 BPM | ||
St. Matthew Passion, BWV 244: No. 15, Recitative, Er sprach: Gehet hinn and Chorus: Herr, bin ich's? | Dietrich Fischer-Dieskau, Sir Peter Pears, Elisabeth Schwarzkopf, Christa Ludwig, Nicolai Gedda, Walter Berry, John Carol Case, Dame Janet Baker | G Major | 1 | 9B | 112 BPM |
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