"Herzlich Lieb Hab Ich Dich, O Herr, BuxWV 41: No. 2, Versus. Es ist ja, Herr, dein Geschenk und Gab" by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot had its release date on March 17, 2023. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 10 in Buxtehude : Salvator Mundi by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Herzlich Lieb Hab Ich Dich, O Herr, BuxWV 41: No. 2, Versus. Es ist ja, Herr, dein Geschenk und Gab is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Herzlich Lieb Hab Ich Dich, O Herr, BuxWV 41: No. 2, Versus. Es ist ja, Herr, dein Geschenk und Gab by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nun komm, der Heiden Heiland Buxwv 211 | Dietrich Buxtehude, Leonardo Carrieri | A♭ Major | 0 | 4B | 119 BPM | ||
Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | ||
Vespro della Beata Vergine, SV 206: Psalmus "Laetatus sum" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Minor | 3 | 6A | 91 BPM | ||
Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: III. Allégresse. Vite - Meno mosso | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Minor | 2 | 11A | 113 BPM | ||
Membra Jesu nostri, BuxWV 75: Ecce super montes (Chorus) | Dietrich Buxtehude, Yoshie Hida, Midori Suzuki, Yoshitaka Ogasawara, Makoto Sakurada, Bach Collegium Japan, Masaaki Suzuki | E♭ Major | 0 | 5B | 86 BPM | ||
Mondonville: In exitu Israel: I. (b) Chœur. "In exitu Israel" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM | ||
Messe du deuxième ton: Agnus Dei | André Raison, Henri Dumont, Michael Burnette, Stephen Eggert, David Heller, Jonathan Perry, Scott Shaw, H. Joseph Butler, Frederick Hohman | A♭ Major | 2 | 4B | 59 BPM | ||
Fürwahr er trug unsere Krankheit, BuxWV 31 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | C Minor | 1 | 5A | 125 BPM | ||
Psyche, Act II Scene 1: Dance of Priests | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM |