Francesco Feo, Francesco Gasparini, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer, Barbara Schmidt-Gaden's ' "Passio Domini nostri Jesu Christi secundum Joannem, Scene 7: "Susceperunt autem Jesum" - Aria, "Mi Jesu, salus mea, in ligno crucis langues!"" was released on its scheduled release date, 2009. This song is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. There are a total of 17 in the song's album "St John Passion". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Belgium. In terms of popularity, Passio Domini nostri Jesu Christi secundum Joannem, Scene 7: "Susceperunt autem Jesum" - Aria, "Mi Jesu, salus mea, in ligno crucis langues!" is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Passio Domini nostri Jesu Christi secundum Joannem, Scene 7: "Susceperunt autem Jesum" - Aria, "Mi Jesu, salus mea, in ligno crucis langues!" by Francesco Feo, Francesco Gasparini, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer, Barbara Schmidt-Gaden having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 12, Op. 7: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B Major | 4 | 1B | 113 BPM | ||
Terradellas: Dixit Dominus: "Donec ponam" | Domènec Terradellas, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Major | 1 | 3B | 131 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Il Giudizio universale: Aria (a due): Con quel sempre accompagnato - Cantata For Soprano, Alto and B.c. | Francesco Feo, Lucia Casagrande Raffi, Elisabetta Pallucchi, Ensemble Romabarocca, Lorenzo Tozzi | B Minor | 1 | 10A | 131 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: I. Adagio-Allegro | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 1 | 3B | 95 BPM | ||
Part I. Overture in E minor: IV. Loure | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | E♭ Minor | 0 | 2A | 90 BPM | ||
The Fairy Queen, Z. 629, Act III: If Love's a Sweet Passion | Henry Purcell, Simone Kermes, Enrico Casazza | G Minor | 2 | 6A | 87 BPM | ||
Laudate, pueri Dominum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 142 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act 2 Scene 2: "Oft she visits this lone mountain" (Second Woman) - A Dance to entertain Aeneas | Henry Purcell, Emmanuelle Haïm | D♭ Minor | 2 | 12A | 137 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM |