Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon made "Laudate, pueri Dominum" available on May 16, 2006. The duration of Laudate, pueri Dominum is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Laudate, pueri Dominum's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi, A.: Sacred Music, Vol. 2 by Antonio Vivaldi, Aradia Ensemble, Kevin Mallon. The song's track number on the album is #1 out of 22 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Laudate, pueri Dominum's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Laudate, pueri Dominum by Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Laudate, pueri Dominum being at 142 BPM, the half-time would be 71 BPM with a double-time of 284 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Mass in C Minor, K.427 "Grosse Messe" (Ed. Maunder): Et incarnatus est | Wolfgang Amadeus Mozart, Arleen Auger, Academy of Ancient Music, Christopher Hogwood | A Minor | 2 | 8A | 173 BPM | ||
Magnificat in D Major, BWV 243: VI. Et misericordia | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Carlos Mena, Hans-Jörg Mammel | F♯ Major | 2 | 2B | 80 BPM | ||
Hohe Messe in B Minor, BWV 232: No. 27, Agnus Dei | Johann Sebastian Bach, Merseburger Hofmusik, Michael Schönheit, Henriette Gödde | B Minor | 0 | 10A | 80 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Dixit Dominus, HWV 232: 8. De torrente in via bibet | George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | D Major | 4 | 10B | 77 BPM | ||
Mondonville : In exitu Israel : "Mare vivit" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | D♭ Major | 3 | 3B | 62 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 75 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
The 4 Seasons: Violin Concerto In E Major, Op. 8, No. 1, RV 269, "La Primavera" (Spring): I. Allegro | Sonatori de la Gioiosa Marca, Giuliano Carmignola, Antonio Vivaldi | E Major | 1 | 12B | 111 BPM |
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