Elisabeth Grümmer, Erika Köth, Sir Georg Solti's 'Die Zauberflöte: Act 1 - Dialogue' came out on March 25, 2009. The duration of Die Zauberflöte: Act 1 - Dialogue is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Die Zauberflöte: Act 1 - Dialogue's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wolfgang Amadeus Mozart: Die Zauberflöte by Elisabeth Grümmer. The song's track number on the album is #12 out of 48 tracks. Based on our data, France was the country where this track was produced or recorded. Die Zauberflöte: Act 1 - Dialogue is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Die Zauberflöte: Act 1 - Dialogue by Elisabeth Grümmer, Erika Köth, Sir Georg Solti has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Die Zauberflöte: Act 1 - Dialogue being at 68 BPM, the half-time would be 34 BPM with a double-time of 136 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act 1: "Dell'invito trascorsa è già l'ora" | Giuseppe Verdi, Anna Netrebko, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Rolando Villazón, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber | A Major | 2 | 11B | 82 BPM | ||
Frauenliebe und -leben Op. 42: 2. Er, der Herrlichste von allen | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | G Major | 0 | 9B | 73 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: O namenlose Freude! | Ludwig van Beethoven, Nina Stemme, Jonas Kaufmann, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | E♭ Major | 1 | 5B | 87 BPM | ||
Sinfonietta on Russian Themes, Op. 31: III. Scherzo - Finale | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 0 | 9B | 110 BPM | ||
Armida: Armida: Sinfonia in Pantomima | Antonio Salieri, Mannheim Mozart Orchestra, Thomas Fey | G Major | 1 | 9B | 83 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov | E Minor | 1 | 9A | 84 BPM | ||
Stabat Mater, Op. 58: IX. Inflammatus et accensus (Andante maestoso) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Michaela Selinger | G Major | 1 | 9B | 92 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | G Major | 0 | 9B | 104 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM |
Section: 0.6772429943084717
End: 0.6817915439605713