"Ariane à Naxos, Op. 60, TrV 228a: "Ach! ... Ach! ... Wo war ich?" (Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin)" by Maria Reining, Elisabeth Rutgers, Erich Kunz, Alda Noni, Marjan Rus, Vienna State Opera Orchestra, Karl Böhm was released on June 1, 2016. The duration of Ariane à Naxos, Op. 60, TrV 228a: "Ach! ... Ach! ... Wo war ich?" (Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin) is about 3 minutes long, at 3:21. Based on our data, "Ariane à Naxos, Op. 60, TrV 228a: "Ach! ... Ach! ... Wo war ich?" (Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 248 in the song's album "Richard Strauss: Les grands opéras - La discothèque idéale de Diapason, Vol. 7". In this album, this song's track order is #57. Ariane à Naxos, Op. 60, TrV 228a: "Ach! ... Ach! ... Wo war ich?" (Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ariane à Naxos, Op. 60, TrV 228a: "Ach! ... Ach! ... Wo war ich?" (Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin) by Maria Reining, Elisabeth Rutgers, Erich Kunz, Alda Noni, Marjan Rus, Vienna State Opera Orchestra, Karl Böhm having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nun in der nächt´gen Stille (Othello) | Chor und Orchester der Staatsoper Berlin, Maria Reining, Helge Rosavaenge | B Minor | 3 | 10A | 92 BPM | ||
Tannhäuser: Dir, Göttin der Liebe | Richard Wagner, Berliner Rundfunk Orchester, Wilhelm Ulbricht, Alfred Frey, Maria Reining, Chor des deutschen Opernhauses Berlin, Artur Rother, Max Lorenz, Chorus, Ludwig Hofmann, Karl Schmitt-Walter, Walther Ludwig, Walter Großmann | B Minor | 2 | 10A | 109 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 1: "Ach, ich darf nicht hin zu dir! (Adele, Rosalinde, Alfred) | Johann Strauss II, Plácido Domingo, Eva Lind, Lucia Popp, Das Münchner Rundfunkorchester | G Major | 1 | 9B | 49 BPM | ||
La Traviata, Act I: Che è ciò — Un dì felice | Giuseppe Verdi, Lisette Oropesa, René Barbera, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden | B♭ Major | 1 | 6B | 81 BPM | ||
Verdi: La traviata, Act 2: "Di Provenza il mar, il suol" (Germont) | Giuseppe Verdi, Maria Callas, Ugo Savarese, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai | D♭ Major | 1 | 3B | 95 BPM | ||
La Fanciulla del West / Act 1: Che faranno i vecchi miei | Giacomo Puccini, Gwynne Howell, Francis Egerton, Paul Crook, Robin Leggate, Jonathan Summers, Tom McDonnell, William Elvin, John Dobson, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta, Chorus of the Royal Opera House, Covent Garden, Robin Stapleton | G Major | 0 | 9B | 120 BPM | ||
Brockes Passion, HWV 48: Chi sprezzando | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 109 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (b) "Ah! Paresseuse fille qui sommeille encor!" (Choeur, Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" - "Sì, sì, la vincerò" (Rosina / Rosina, Figaro, Bartolo, Basilio) | Gioachino Rossini, Gianna D'Angelo, Renato Capecchi, Giorgio Tadeo, Carlo Cava, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 133 BPM | ||
Nein, Herr, so kommt es nicht (Ariadne auf Naxos) | Peter Klein, Hermann Baier, Alfred Muzzarelli, Paul Schöffler, Hans Schweiger, Richard Sallaba, Friedrich Jelinek, Alda Noni, Melanie Frutschnigg, Marjan Rus, Elisabeth Rutgers, Maria Reining, Emmy Loose, Erich Kunz, Max Lorenz, Irmgard Seefried, Vienna State Opera Orchestra, Josef Witt | F Minor | 3 | 4A | 89 BPM |
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