"Nun in der nächt´gen Stille (Othello)" by Chor und Orchester der Staatsoper Berlin, Maria Reining, Helge Rosavaenge was released on September 18, 2006. Nun in der nächt´gen Stille (Othello) appears to be safe for all ages as it is not explicit. The track order of this song in Helge Rosvaenge's "Helge Rosvaenge in Szenen aus Othello und Tosca" album is number 3 out of 16. On top of that, Austria appears to be the country where this track was created. In terms of popularity, Nun in der nächt´gen Stille (Othello) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nun in der nächt´gen Stille (Othello) by Chor und Orchester der Staatsoper Berlin, Maria Reining, Helge Rosavaenge to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor / Act 2: "Che fia" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Major | 3 | 12B | 125 BPM | ||
Rigoletto / Act 2: Scena ed Coro: "Povero Rigoletto!" (Marullo, Rigoletto, Borsa, Ceprano, Paggio, Coro) | Giuseppe Verdi, Dwayne Croft, Vladimir Chernov, Paul Groves, Yanni Yannissis, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | E Minor | 1 | 9A | 117 BPM | ||
Puccini: Turandot, Act 2 Scene 2: "In questa Reggia, or son mill'anni e mille" (Turandot, La Folla, Calaf) | Giacomo Puccini, Birgit Nilsson, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | D Minor | 0 | 7A | 83 BPM | ||
Herbei! Auf, eilt zu uns! (Rienzi) | Max Lorenz, Gustav Rödin, Margarete Klose, Jaro Prohaska, Chor und Orchester der Staatsoper Berlin, Robert von der Linde, Hilde Scheppan, Wilhelm Hiller | G Minor | 5 | 6A | 100 BPM | ||
Don Giovanni, K. 527: Ferma briccone, dove ten vai! | Wolfgang Amadeus Mozart, Teresa Berganza, Malcolm King, Edda Moser, Kenneth Riegel, Kiri Te Kanawa, José van Dam, Lorin Maazel | C Major | 2 | 8B | 99 BPM | ||
Ist er besänftigt? (Othello) | Elisabeth Waldenau, Helge Rosavaenge, Chor und Orchester der Staatsoper Berlin, Maria Reining | B Minor | 3 | 10A | 92 BPM | ||
Lost in This World | Shen Yun Symphony Orchestra | E Minor | 3 | 9A | 112 BPM | ||
Le rossignol (The Nightingale): Scene 1 (The Forest at Dawn): Nightingale's Aria | Igor Stravinsky, Olga Trifonova, Robert Tear, Pippa Longworth, Paul Whelan, Stephen Richardson, Andrew Greenan, Sally Burgess, Peter Hall, Simon Preece, London Voices, Philharmonia Orchestra, Robert Craft | F♯ Major | 1 | 2B | 66 BPM | ||
Simon Boccanegra / Act 1: Propizio ei giunge! (GAbriele, Fiesco) | Giuseppe Verdi, José Carreras, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | C Major | 2 | 8B | 87 BPM | ||
Im Gefängnis (Der Bettelstudent) | Richard Tauber, Karl Platen, Adolf Kulina, Vera Schwarz, Erich Heyn, Otto Wünsche, Max Kuttner, Else Knepel, Ernst Dr. Römer, Chor und Orchester der Staatsoper Berlin, Leo Schützendorf, Ida Harth zur Nieden | D Major | 3 | 10B | 108 BPM |
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