"Jackson Pollock (1950-51) for two Cellos: II Pollock Paints" by Morton Feldman, Lucas Fels, Tobias Moster was released on January 1, 2002. With Jackson Pollock (1950-51) for two Cellos: II Pollock Paints being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Morton Feldman, Ensemble Recherche's "Morton Feldman: Something Wild - Music for Film" album is number 3 out of 33. On top of that, Austria appears to be the country where this track was created. Jackson Pollock (1950-51) for two Cellos: II Pollock Paints is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jackson Pollock (1950-51) for two Cellos: II Pollock Paints by Morton Feldman, Lucas Fels, Tobias Moster to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
Two Pieces for violin, viola and piano: I. Un poco andante | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
Timo Andres: Upstate Obscura: 2. Mazes and Mirrors | Timo Andres, Metropolis Ensemble, Andrew Cyr, Inbal Segev | A♭ Major | 2 | 4B | 89 BPM | ||
5 Pieces for String Quartet: No. 4, Alla tango milonga | Erwin Schulhoff, Orava Quartet | D♭ Minor | 0 | 12A | 115 BPM | ||
Fantasy Variations on a Theme by Niccolo Paganini: V. - Recording at Fumon Hall, Tokyo, 1989 | Tokyo Kosei Wind Orchestra, James Barnes | E Minor | 0 | 9A | 64 BPM | ||
Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | G Major | 0 | 9B | 78 BPM | ||
Patterns in a Chromatic Field | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
Umi e (Toward the Sea): III - Cape Cod | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | A♭ Major | 0 | 4B | 73 BPM | ||
III. White Man Sleeps | Kevin Volans, Kronos Quartet | G Major | 0 | 9B | 172 BPM | ||
In C: Part 01 | Terry Riley, Blindman Kwartet, Ictus | C Major | 2 | 8B | 129 BPM |
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