"Cavalli: Ercole amante, Prologo: "O Gallia fortunata" (Coro di Fiumi)" by Francesco Cavalli, Michel Corboz, English Bach Festival Chorus, Luciano Sgrizzi, English Bach Festival Baroque Orchestra was released on July 1, 1981. With Cavalli: Ercole amante, Prologo: "O Gallia fortunata" (Coro di Fiumi) being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 79 in Cavalli: Ercole amante by Francesco Cavalli, Ulrik Cold, Yvonne Minton, Felicity Palmer, English Bach Festival Baroque Orchestra, Michel Corboz. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Cavalli: Ercole amante, Prologo: "O Gallia fortunata" (Coro di Fiumi) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cavalli: Ercole amante, Prologo: "O Gallia fortunata" (Coro di Fiumi) by Francesco Cavalli, Michel Corboz, English Bach Festival Chorus, Luciano Sgrizzi, English Bach Festival Baroque Orchestra is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Circe, Z. 575: Magicians' Dance | Henry Purcell, Giles Tomkins, Brian Duyn, Peter Mahon, Neil Aronoff, Nicole Bower, Roz McArthur, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 113 BPM | ||
La Calisto, Act I Scene 5: "Chi non ti crederebbe" (Mercurio) | Francesco Cavalli, René Jacobs, Simon Keenlyside, Marcello Lippi, Maria Bayo, Concerto Vocale | A Major | 1 | 11B | 82 BPM | ||
Cavalli: Ercole amante, Act 1: Sinfonia | Francesco Cavalli, Thomas Dunford, Jupiter | F♯ Minor | 1 | 11A | 107 BPM | ||
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM | ||
Les Indes galantes, Prologue, Scène 2: Air grave pour deux polonais | Jean-Philippe Rameau, Les Arts Florissants, William Christie | A Major | 0 | 11B | 114 BPM | ||
Diporti di Euterpe, Op. 7: Lagrime mie | Barbara Strozzi, Paul Beier, Emanuela Galli, Ensemble Galilei | E♭ Minor | 0 | 2A | 105 BPM | ||
Egisto: Act II Scene 1: D'Hipparco (Egisto lamento) - Lasso io vivo - Ma di chi mi lamento (Egisto) | Francesco Cavalli, Gloria Banditelli, Roberto Abbondanza, Gianluca Belfiori Doro, Mario Cecchetti, Rosita Frisani, Mediterraneo Concento, Sergio Vartolo | E♭ Minor | 1 | 2A | 108 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Rossi: L'Orfeo, Act 3: Dormite, begl'occhi | Luigi Rossi, Christina Pluhar | C Minor | 0 | 5A | 105 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: VI. Mascarade, rondeau | Robert de Visée, Jean Rondeau | D♭ Minor | 2 | 12A | 106 BPM |
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