"Rossi: L'Orfeo, Act 3: Dormite, begl'occhi" by Luigi Rossi, Christina Pluhar was released on November 15, 2019. The duration of Rossi: L'Orfeo, Act 3: Dormite, begl'occhi is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Rossi: L'Orfeo, Act 3: Dormite, begl'occhi's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Rossi: La lyra d'Orfeo & Arpa Davidica". In this album, this song's track order is #6. In terms of popularity, Rossi: L'Orfeo, Act 3: Dormite, begl'occhi is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rossi: L'Orfeo, Act 3: Dormite, begl'occhi by Luigi Rossi, Christina Pluhar having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harpsichord Concerto No. 4 in A Major, BWV 1055 (Adapted for Oboe d'amore, Strings and Basso continuo): II. Larghetto | Johann Sebastian Bach, Albrecht Mayer, Berliner Barock Solisten | N/A | N/A | N/A | 0 BPM | ||
Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | ||
De Santanyí vaig partir | Christina Pluhar, Traditional | E Minor | 1 | 9A | 93 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VII. Hornpipe | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 2 | 12A | 138 BPM | ||
Entrée de Luths | Robert Ballard, Le Poème Harmonique, Vincent Dumestre | D Minor | 0 | 7A | 96 BPM | ||
Purcell : King Arthur : Air | William Christie | C Minor | 0 | 5A | 96 BPM | ||
Sarabande Jeunes Zephirs | Jacques Champion de Chambonnières, Philippe Pierlot, Lucile Boulanger, Myriam Rignol | F Major | 0 | 7B | 113 BPM | ||
Monteverdi: Ohimè ch’io cado, SV 316 | Claudio Monteverdi, Christina Pluhar | G Major | 1 | 9B | 138 BPM | ||
Strozzi: Che si può fare? (Arr. Pluhar) | Barbara Strozzi, Christina Pluhar, L'Arpeggiata, Céline Scheen | D Minor | 2 | 7A | 98 BPM | ||
Rappresentatione di Anima, et di Corpo, Epilogo, Intermedio: Pass e Medio | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar | D Minor | 0 | 7A | 77 BPM |
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