Claudio Monteverdi, Christina Pluhar's 'Monteverdi: Ohimè ch’io cado, SV 316' came out on January 5, 2009. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Claudio Monteverdi, Christina Pluhar's "Monteverdi: Teatro d'amore" album is number 2 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Monteverdi: Ohimè ch’io cado, SV 316's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Monteverdi: Ohimè ch’io cado, SV 316 by Claudio Monteverdi, Christina Pluhar to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Aria | Heinrich Ignaz Franz von Biber, Christina Pluhar | D Minor | 1 | 7A | 86 BPM | ||
Vendado amor es, no ciego ( Zarzuela): Tempestad grande | José de Nebra, Bejun Mehta, Concerto Köln, Pablo Heras-Casado | E Minor | 5 | 9A | 145 BPM | ||
Pluhar: Orfeo Chamán, Act 2: Passacaglia di Eurídice | Christina Pluhar, L'Arpeggiata | G Minor | 2 | 6A | 183 BPM | ||
Kapsberger | L'Arpeggiata, Christina Pluhar, Gianluigi Trovesi | E♭ Major | 1 | 5B | 97 BPM | ||
Monteverdi: Madrigali, Libro VIII "Guerrieri et amorosi": No. 18, Lamento della ninfa, SV 163: "Amor, dicea" | Claudio Monteverdi, Christina Pluhar, Núria Rial, Jan Van Elsacker, Cyril Auvity, Nicolas Achten, L'Arpeggiata | A Minor | 1 | 8A | 136 BPM | ||
Schubert: 4 Lieder, Op. 59: No. 3, Du bist die Ruh, D. 776 | Franz Schubert, Philippe Jaroussky, Jerome Ducros | F♯ Major | 3 | 2B | 95 BPM | ||
Sfessania | Traditional, Christina Pluhar, L'Arpeggiata | G Major | 4 | 9B | 159 BPM | ||
Duerme negrito | Quito Gato, Traditional, Christina Pluhar | C Major | 2 | 8B | 118 BPM | ||
Ciaccona, Pt. 2 | L'Arpeggiata, Christina Pluhar, Gianluigi Trovesi | C Major | 4 | 8B | 115 BPM | ||
Pluhar: Orfeo Chamán, Prologue: La selva (Butes) | Christina Pluhar, Vincenzo Capezzuto, L'Arpeggiata | D Minor | 2 | 7A | 132 BPM |
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