American Symphony Orchestra, Leon Botstein's 'Symphony No. 5: Allegro vivace' came out on November 8, 2013. With this song being about 5 minutes long, at 5:25, "Symphony No. 5: Allegro vivace" by American Symphony Orchestra, Leon Botstein is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in American Symphony Orchestra, Leon Botstein's "Mendelssohn: Symphony No. 5, Op. 107 "Reformation"" album is number 2 out of 4. The popularity of Symphony No. 5: Allegro vivace is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 5: Allegro vivace by American Symphony Orchestra, Leon Botstein to be Presto (very, very fast) because the track has a tempo of 184 BPM, a half-time of 92BPM, and a double-time of 368 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 9 in G Minor, Op. 177: III. Rondo. Allegro | Ferdinand Ries, Leon Botstein, Piers Lane, The Orchestra Now | D♭ Major | 1 | 3B | 84 BPM | ||
Romeo and Juliet, Op. 64 (Excerpts): The Balcony Scene | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 0 | 8B | 80 BPM | ||
Suite from The Legend of the Invisible City of Kitezh: I. Prelude, A Hymn to Nature | Leon Botstein, American Symphony Orchestra | B Minor | 0 | 10A | 125 BPM | ||
Le Carnaval des Animaux: Fossiles | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | E♭ Major | 3 | 5B | 123 BPM | ||
Pacific 231: Pacific 231 - Live | Arthur Honegger, American Symphony Orchestra, Leon Botstein | B♭ Minor | 2 | 3A | 69 BPM | ||
Symphony No. 4 in B-Flat Major, Op. 60: IV. Finale. Allegro ma non troppo | Ludwig van Beethoven, Kurt Masur, London Philharmonic Orchestra | B♭ Major | 2 | 6B | 149 BPM | ||
Symphony in C: III. Allegro spiritoso - Live | Paul Dukas, American Symphony Orchestra, Leon Botstein | B Minor | 5 | 10A | 81 BPM | ||
Ancient Airs And Dances - III. Siciliana | Ottorino Respighi, Raymond Dessaints, Ensemble Amati | C Minor | 0 | 5A | 105 BPM | ||
Piano Concerto in G, Op. 85: II. Dialogue. Lento e solenne | Edmund Rubbra, Piers Lane, Leon Botstein, The Orchestra Now | F Major | 0 | 7B | 74 BPM | ||
Piano Concerto in G, Op. 85: I. Corymbus. Adagio, calmo e quasi improvisatore | Edmund Rubbra, Piers Lane, Leon Botstein, The Orchestra Now | D♭ Major | 1 | 3B | 84 BPM |
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