"Piano Concerto No. 9 in G Minor, Op. 177: III. Rondo. Allegro" by Ferdinand Ries, Leon Botstein, Piers Lane, The Orchestra Now was released on April 27, 2018. Since Piano Concerto No. 9 in G Minor, Op. 177: III. Rondo. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Ries: Piano Concertos Nos. 8 & 9 (Hyperion Romantic Piano Concerto 75)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Piano Concerto No. 9 in G Minor, Op. 177: III. Rondo. Allegro is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 9 in G Minor, Op. 177: III. Rondo. Allegro by Ferdinand Ries, Leon Botstein, Piers Lane, The Orchestra Now having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 1, Die Vorstellung des Chaos | Joseph Haydn, Dresdner Philharmonie, Marek Janowski | B♭ Major | 3 | 6B | 117 BPM | ||
Piano Trio in C Minor, Op. 143: II. Adagio con espressione | Ferdinand Ries, Berlin Mendelssohn Trio | A♭ Major | 0 | 4B | 85 BPM | ||
Trio in A Major (Hob. XV:18): II. Andante | Joseph Haydn, Gryphon Trio | B Minor | 0 | 10A | 89 BPM | ||
Piano Concerto for the Left Hand No. 2: III. Finale | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
ドヴォルザーク:交響曲第8番 ト長調 作品88;第1楽章 アレグロ・コン・ブリオ | ヴァーツラフ・ノイマン, Czech Philharmonic | G Major | 1 | 9B | 135 BPM | ||
4 Valses oubliées, S. 215: No. 1, — | Franz Liszt, Anna Leyerer | B Major | 2 | 1B | 85 BPM | ||
Sonata No. 5 in C Minor, Op. 10, No. 1 - I. Allegro molto e con brio | Beethoven | D Major | 2 | 10B | 144 BPM | ||
Symphony No. 3 in E Flat Major, Op. 97 "Rhenish": I. Lebhaft | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | E Minor | 2 | 9A | 90 BPM | ||
Children's Album, Book 1: The Cavalry | Aram Khachaturian, Tsovinar Suflyan | C Major | 2 | 8B | 129 BPM | ||
6 Nocturnes, Op. 186: Nocturne No. 3: Poco adagio | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | C Major | 0 | 8B | 171 BPM |
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