"Magnificat octavi toni" by Sebastián de Vivanco, The Choir of St George's Chapel, Windsor Castle, Jonathan Rees-Williams had its release date on October 10, 1998. This song appears to be safe for all ages as it is not explicit. The track order of this song in The Choir of St George's Chapel, Windsor Castle, Roger Judd, Jonathan Rees-Williams's "Magnificat & Nunc dimittis, Vol. 21" album is number 1 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Magnificat octavi toni is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat octavi toni by Sebastián de Vivanco, The Choir of St George's Chapel, Windsor Castle, Jonathan Rees-Williams to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thus the Ever Grateful Spring (Spring) | Henry Purcell, Sjaella | B♭ Minor | 1 | 3A | 69 BPM | ||
Cancionero musical de palacio: No. 16, A los baños del amor | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 166 BPM | ||
Sonata No. 1 in F Major, ZWV 181, 1: I. Adagio ma non troppo | Jan Dismas Zelenka, Theo Plath, Armand Djikoloum, Olivier Stankiewicz | F Major | 1 | 7B | 143 BPM | ||
Funeral Ikos | John Tavener, Owain Park, The Gesualdo Six | A♭ Major | 1 | 4B | 73 BPM | ||
Victoria: Lamentations for Maundy Thursday 1 - 3. Quomodo Sedet Sola Civitas | The Tallis Scholars, Peter Phillips | B Minor | 0 | 10A | 83 BPM | ||
Lætetur omne sæculum, a 7vv | Sebastián de Vivanco, Ensemble Plus Ultra, Ensemble La Danserye, David Martin | E♭ Major | 0 | 5B | 79 BPM | ||
Five Flower Songs, Op. 47: II. The Succession of the Four Sweet Months | Benjamin Britten, Finzi Singers, Paul Spicer | B Minor | 1 | 10A | 108 BPM | ||
Sub tuum praesidium | Antoine Brumel, The Gesualdo Six, Owain Park | C Major | 0 | 8B | 102 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 0 | 5A | 80 BPM | ||
The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM |