"Psalm 150 - "O Praise God In His Holiness"" by Charles Villiers Stanford, Choir of St. John's College, Cambridge, John Scott, George Guest was released on November 30, 1978. The duration of Psalm 150 - "O Praise God In His Holiness" is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Psalm 150 - "O Praise God In His Holiness"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Psalms of Consolation and Hope". In this album, this song's track order is #7. Based on our statistics, Psalm 150 - "O Praise God In His Holiness"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 150 - "O Praise God In His Holiness" by Charles Villiers Stanford, Choir of St. John's College, Cambridge, John Scott, George Guest having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass for Double Choir: III. Credo | Frank Martin, Westminster Choir, Joe Miller | A Minor | 1 | 8A | 75 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
Phoenix | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | A Major | 0 | 11B | 139 BPM | ||
Uti vår hage | Hugo Alfvén, Simon Phipps, Swedish Chamber Choir | A Minor | 3 | 8A | 100 BPM | ||
Sacred Heart (Ubi Caritas III) | Ola Gjeilo, Westminster Williamson Voices, Valissa Willwerth, Blake Espy, Pamela Fay, Glenn Fischbach, James Jordan | F♯ Major | 4 | 2B | 123 BPM | ||
Ave Maria, WAB 6 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Matthew Morley, Robert Jones | D Major | 0 | 10B | 133 BPM | ||
Northern Lights | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | D♭ Minor | 0 | 12A | 68 BPM | ||
Ich bin die Auferstehung und das Leben, SWV 464 | Heinrich Schütz, Vox Luminis, Lionel Meunier | D Minor | 1 | 7A | 134 BPM | ||
Three Sacred Hymns: I. Gegrüßet seist du, Jungfrau, Mutter Gottes | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | D Major | 1 | 10B | 74 BPM |
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