Georg Philipp Telemann, American Horn Quartet, Sinfonia Varsovia, Dariusz Wisniewski made "Overture (Suite) in F Major, TWV 55:F11, "Alster": II. Die Kanonierende Pallas" available on December 13, 2005. The duration of Overture (Suite) in F Major, TWV 55:F11, "Alster": II. Die Kanonierende Pallas is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Overture (Suite) in F Major, TWV 55:F11, "Alster": II. Die Kanonierende Pallas's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Schumann: Konzertstuck, Op. 86 / Haydn: Symphony No. 31, 'Horn Signal'". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Overture (Suite) in F Major, TWV 55:F11, "Alster": II. Die Kanonierende Pallas is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Overture (Suite) in F Major, TWV 55:F11, "Alster": II. Die Kanonierende Pallas by Georg Philipp Telemann, American Horn Quartet, Sinfonia Varsovia, Dariusz Wisniewski having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in A Major: II. Andante | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 94 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Concerto for Treble Recorder, Strings and Continuo in C: 4. Tempo di Minuet | Georg Philipp Telemann, New London Consort, Philip Pickett | F♯ Major | 1 | 2B | 131 BPM | ||
Telemann: Nouveaux quatuors "Paris Quartets", No. 6 in E Minor, TWV 43:e4: VI. Modéré | Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt | E Minor | 1 | 9A | 78 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM | ||
Quatuor No. 1 in D Major: I. Prélude; Vivement | Georg Philipp Telemann, Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura | A♭ Major | 2 | 4B | 115 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: V. Rejouissance | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 140 BPM | ||
Sonata in D Major, No. 1: IV. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B♭ Minor | 1 | 3A | 96 BPM | ||
Concerto for 2 Flutes and Lute in E Minor, TWV 53:e2: II. Presto | Georg Philipp Telemann, Gunther Holler, Christoph Huntgeburth, Cappella Coloniensis, Hans-Martin Linde | E♭ Minor | 2 | 2A | 126 BPM |
Section: 0.5251636505126953
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