Giovanni Paisiello, Teresa Di Bari, Orchestra Ico della Magna Grecia, Domenico Colaianni, Giovanni Di Stefano made "I zingari in fiera, Act II: Act II: Recitative: La zingara mi guarda (Pandolfo, Lucrezia)" available on November 1, 2014. With I zingari in fiera, Act II: Act II: Recitative: La zingara mi guarda (Pandolfo, Lucrezia) being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Paisiello: I zingari in fiera (The Fair Gypsies)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Italy. In terms of popularity, I zingari in fiera, Act II: Act II: Recitative: La zingara mi guarda (Pandolfo, Lucrezia) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With I zingari in fiera, Act II: Act II: Recitative: La zingara mi guarda (Pandolfo, Lucrezia) by Giovanni Paisiello, Teresa Di Bari, Orchestra Ico della Magna Grecia, Domenico Colaianni, Giovanni Di Stefano having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Schöpfung, Hob. XXI:2, Erster Teil: I. Einleitung "Die Vorstellung des Chaos" | Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | C Minor | 1 | 5A | 80 BPM | ||
Symphony in G Major, Op. 11 No. 1: III. Allegro assai | Joseph Bologne, Chevalier de Saint-Georges, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 75 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance Of The Furies | Christoph Willibald Gluck, Daniel Hope, Zurich Chamber Orchestra | D Minor | 4 | 7A | 153 BPM | ||
Andante e Rondo ungarese, Op. 35, J. 158 | Carl Maria von Weber, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp | C Major | 1 | 8B | 85 BPM | ||
Serenade for Strings in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Orpheus Chamber Orchestra | F Minor | 0 | 4A | 124 BPM | ||
Direzioni Contrarie | Alessandro Gozzo, Cats Rule the World | F Minor | 1 | 4A | 74 BPM | ||
Piano Concerto No. 18 in B-Flat Major, K. 456: III. Allegro vivace | Martha Argerich, Bavarian Radio Symphony Orchestra | B♭ Major | 3 | 6B | 156 BPM | ||
Amor vendicato, R 2.7: No. 6, Ah delle fiere stesse - Live | Giovanni Paisiello, Roberta Andalo, Marina Esposito, Mariano Patti, Dario Candela | G Major | 1 | 9B | 130 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | C Major | 0 | 8B | 74 BPM | ||
Bassoon Concerto in F, Op.75: 1. Allegro ma non troppo | Carl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin Schneidt | F Major | 1 | 7B | 128 BPM |
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