Jakob Friedrich Kleinknecht, Ildiko Kertesz, Nicholas Selo, Geoffrey Thomas's 'Sonata da camera in G Major, Op. 1, No. 4: I. Adagio non molto' came out on January 1, 2000. The duration of Sonata da camera in G Major, Op. 1, No. 4: I. Adagio non molto is about 3 minutes long, at 3:16. Based on our data, "Sonata da camera in G Major, Op. 1, No. 4: I. Adagio non molto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jakob Friedrich Kleinknecht, Various Artists's "Kleinknecht, J.F.: Sonatas Da Camera, Op. 1" album is number 13 out of 18. On top of that, Germany appears to be the country where this track was created. Sonata da camera in G Major, Op. 1, No. 4: I. Adagio non molto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata da camera in G Major, Op. 1, No. 4: I. Adagio non molto by Jakob Friedrich Kleinknecht, Ildiko Kertesz, Nicholas Selo, Geoffrey Thomas to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in B Minor: II. Allegro smanioso | Jakob Friedrich Kleinknecht, Wilbert Hazelzet, Jacques Ogg, Christiaan Norde | D♭ Major | 1 | 3B | 135 BPM | ||
Lute Sonata No. 6: I. Alemanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 112 BPM | ||
La soave melodia | Andrea Falconieri, Luca Pianca | E Minor | 0 | 9A | 91 BPM | ||
Minuet in G Major, BWV Anh. 116 | Johann Sebastian Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceur | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Galiarda Veneziana | The Royal Wind Music | B Major | 2 | 1B | 122 BPM | ||
Sonata Per Viola da Gamba No. 3 in G Major: I. Andante | Dolci Accenti, Daniele Cernuto, Calogero Sportato, Lorenzo Feder, Mauro Zavagno | D♭ Minor | 1 | 12A | 111 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Grave | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | B♭ Major | 1 | 6B | 79 BPM |
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