"Bach, JS: Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio" by Johann Sebastian Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener was released on February 3, 2017. Since Bach, JS: Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 14 in Dynastie - Bach Family Concertos by Jean Rondeau. Bach, JS: Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio by Johann Sebastian Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scarlatti, D: Keyboard Sonata in F Minor, Kk. 69 | Domenico Scarlatti, Jean Rondeau | B Major | 2 | 1B | 116 BPM | ||
Sonata No. 1 in G Minor, BWV 1001 (arr. N. Goluses): IV. Presto | Nicholas Goluses, Johann Sebastian Bach | G Minor | 3 | 6A | 94 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Suite No.2 in B minor, BWV 1067: 5. Polonaise | Johann Sebastian Bach, William Bennett, Academy of St. Martin in the Fields, Thurston Dart, Sir Neville Marriner | B Minor | 2 | 10A | 125 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
Livre 3: Médée | Jacques Duphly, Mario Raskin | E Minor | 5 | 9A | 131 BPM | ||
Royer: Pièces de clavecin, Book 1 (1746): No. 11 Le Vertigo - Rondeau | Joseph-Nicolas-Pancrace Royer, Jean Rondeau | F Minor | 3 | 4A | 129 BPM | ||
Two Hearts | Sophie Gonthier, Lee Ranaldo, Noël Akchoté, Jean Marc Montera, Ernie Brooks, Ahmad Compaore, Fanny Paccoud | G Major | 4 | 9B | 89 BPM | ||
Concerto in A Minor for Four Harpsichords, BWV 1065: III. Allegro | Johann Sebastian Bach, Apollo's Fire, Jeannette Sorrel | F♯ Major | 4 | 2B | 111 BPM |
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