Freddie Jones, Jeremy Siepmann made "Guiseppe Verdi: Life and Works: Verdi the unsurpassed psychologist" available on February 14, 2002. With Guiseppe Verdi: Life and Works: Verdi the unsurpassed psychologist being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Freddie Jones's "Life and Works: Verdi" album is number 3 out of 64. Guiseppe Verdi: Life and Works: Verdi the unsurpassed psychologist is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Guiseppe Verdi: Life and Works: Verdi the unsurpassed psychologist by Freddie Jones, Jeremy Siepmann to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
Slavonic Dance No. 2 in E Minor, Op. 72 | London Philharmonic Orchestra | C Major | 3 | 8B | 97 BPM | ||
Carmina Burana: XXI. In trutina | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 170 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
De profundis | Antonio Salieri, West German Radio Chorus, West German Radio Symphony Orchestra, Helmut Froschauer | F Minor | 1 | 4A | 77 BPM | ||
So Deep | Freddie Jones | F Minor | 6 | 4A | 84 BPM | ||
Guiseppe Verdi: Life and Works: Early manhood, civil strife, and the start of a career | Freddie Jones, Jeremy Siepmann | D♭ Major | 2 | 3B | 69 BPM | ||
Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Pesante | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E♭ Major | 5 | 5B | 61 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM |
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