"Un ballo in maschera : Ma se m'e forza perderti" by Fabio Armiliato was released on March 14, 2011. With this song being about 5 minutes long, at 5:19, "Un ballo in maschera : Ma se m'e forza perderti" by Fabio Armiliato is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Ten Years On Stage". In this album, this song's track order is #1. Un ballo in maschera : Ma se m'e forza perderti is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Un ballo in maschera : Ma se m'e forza perderti by Fabio Armiliato having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Las Golondrinas, Escena 3ª, I parte: "Es de noche" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi, Mercedes Plantada | E♭ Major | 2 | 5B | 129 BPM | ||
Fedora, Act II: Se innocente sei davvero, crederà (Live) | Umberto Giordano, Daniela Dessi, Fabio Armiliato, Genoa Carlo Felice Theater Orchestra, Valerio Galli | D Major | 5 | 10B | 104 BPM | ||
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
Lucia of Lammermoor, Part II. Act I Scene 2: Come here to me, Lucia (Enrico) | Gaetano Donizetti, David Parry, Philharmonia Orchestra, Alan Opie | E Major | 0 | 12B | 129 BPM | ||
Le Cid (1997 Digital Remaster): De cet affreux combat....Pleurez, mes yeux | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | B Minor | 1 | 10A | 83 BPM | ||
Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | ||
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | ||
La cena delle beffe: Act I: Disponete che tutto sia per bene (Tornaquinci, Calandra, Giannetto) | Umberto Giordano, Fabio Armiliato, Enrico Marini, Carlo Micalucci, Piacenza Symphony Orchestra, Gian Paolo Sanzogno | D Major | 2 | 10B | 87 BPM | ||
Cavalleria rusticana: Voi lo sapete, o mama | Pietro Mascagni, Lise Davidsen, Rosalind Plowright, London Philharmonic Orchestra, Sir Mark Elder | E Major | 1 | 12B | 86 BPM | ||
Benedictus | Piero Cappuccilli, Fabio Armiliato | B♭ Major | 4 | 6B | 138 BPM |
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