Fedora, Act II: Se innocente sei davvero, crederà (Live)
Umberto Giordano, Daniela Dessi, Fabio Armiliato, Genoa Carlo Felice Theater Orchestra, Valerio Galli
Giordano: Fedora
4:44 January 19, 2018
BPM
104
Key
D Major
Camelot
10B

Embed

Share Link

Fedora, Act II: Se innocente sei davvero, crederà (Live) - Umberto Giordano, Daniela Dessi, Fabio Armiliato, Genoa Carlo Felice Theater Orchestra, Valerio Galli Information

Acousticness
80%
Danceability
58%
Energy
49%
Instrumentalness
1%
Liveness
8%
Loudness
85%
Speechiness
6%
Valence
74%
Popularity
Loudness
-9.293 dB

Summary

Umberto Giordano, Daniela Dessi, Fabio Armiliato, Genoa Carlo Felice Theater Orchestra, Valerio Galli made "Fedora, Act II: Se innocente sei davvero, crederà (Live)" available on January 19, 2018. With this song being about 5 minutes long, at 4:44, "Fedora, Act II: Se innocente sei davvero, crederà (Live)" by Umberto Giordano, Daniela Dessi, Fabio Armiliato, Genoa Carlo Felice Theater Orchestra, Valerio Galli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Umberto Giordano, Daniela Dessi, Fabio Armiliato, Genoa Carlo Felice Theater Orchestra, Valerio Galli's "Giordano: Fedora" album is number 11 out of 25. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Fedora, Act II: Se innocente sei davvero, crederà (Live) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Fedora, Act II: Se innocente sei davvero, crederà (Live) BPM

We consider the tempo marking of Fedora, Act II: Se innocente sei davvero, crederà (Live) by Umberto Giordano, Daniela Dessi, Fabio Armiliato, Genoa Carlo Felice Theater Orchestra, Valerio Galli to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Fedora, Act II: Se innocente sei davvero, crederà (Live) Key

This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Le Roi d'Ys / Act 3: Le Roi d'Ys / Act 3: "Puisqu'on ne peut flêchir ces jalouses gardiennes - vainement ma bien aimée"Édouard Lalo, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto AbbadoA Major211B82 BPM
Air des bijoux by Charles Gounod, Anna Moffo, Tullio SerafinAir des bijouxCharles Gounod, Anna Moffo, Tullio SerafinE Major112B117 BPM
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom by Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery GergievEugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugomPyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery GergievB♭ Major26B96 BPM
Adriana Lecouvreur: L'anima ho stanca by Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco BoemiAdriana Lecouvreur: L'anima ho stancaFrancesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco BoemiB Minor310A150 BPM
Faust: Faust, Act I: Avant de quitter ces lieux by Charles Gounod, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine OrbelianFaust: Faust, Act I: Avant de quitter ces lieuxCharles Gounod, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine OrbelianE♭ Major35B86 BPM
Bizet: Carmen, WD 31, Act 2 Scene 5: No. 17a, Cantabile, Bizet: Carmen, WD 31, Act 2 Scene 5: No. 17a, Cantabile, "La fleur que tu m'avais jetée" (Don José)Georges Bizet, Jon Vickers, Rafael Frühbeck de Burgos, Orchestre de l'Opéra National de ParisF♯ Major32B120 BPM
Wagner: Tristan und Isolde, Act 3: Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde)Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud MeierG Minor26A91 BPM
L'elisir d'amore: Overture (Preludio) by Gaetano Donizetti, Metropolitan Opera Orchestra, James LevineL'elisir d'amore: Overture (Preludio)Gaetano Donizetti, Metropolitan Opera Orchestra, James LevineD Major010B139 BPM
Massenet: Manon, Act 3 Tableau 1 Scene 4: Massenet: Manon, Act 3 Tableau 1 Scene 4: "Obéissons, quand leur voix appelle … Profitons bien de la jeunesse" (Manon, Brétigny, Chorus) - GavotteJules Massenet, Angela Gheorghiu, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, BrusselsG Major19B176 BPM
Les Contes d'Hoffmann / Act 2: Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour"Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard BonyngeD Major110B82 BPM
ISRC
ITN321717048
Label
L-M Records/RCA Records

Section: 1.0072917938232422

End: 1.0112459659576416