Umberto Giordano, Daniela Dessi, Fabio Armiliato, Genoa Carlo Felice Theater Orchestra, Valerio Galli made "Fedora, Act II: Se innocente sei davvero, crederà (Live)" available on January 19, 2018. With this song being about 5 minutes long, at 4:44, "Fedora, Act II: Se innocente sei davvero, crederà (Live)" by Umberto Giordano, Daniela Dessi, Fabio Armiliato, Genoa Carlo Felice Theater Orchestra, Valerio Galli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Umberto Giordano, Daniela Dessi, Fabio Armiliato, Genoa Carlo Felice Theater Orchestra, Valerio Galli's "Giordano: Fedora" album is number 11 out of 25. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Fedora, Act II: Se innocente sei davvero, crederà (Live) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Fedora, Act II: Se innocente sei davvero, crederà (Live) by Umberto Giordano, Daniela Dessi, Fabio Armiliato, Genoa Carlo Felice Theater Orchestra, Valerio Galli to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Roi d'Ys / Act 3: "Puisqu'on ne peut flêchir ces jalouses gardiennes - vainement ma bien aimée" | Édouard Lalo, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | A Major | 2 | 11B | 82 BPM | ||
Air des bijoux | Charles Gounod, Anna Moffo, Tullio Serafin | E Major | 1 | 12B | 117 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
Adriana Lecouvreur: L'anima ho stanca | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | B Minor | 3 | 10A | 150 BPM | ||
Faust: Faust, Act I: Avant de quitter ces lieux | Charles Gounod, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | E♭ Major | 3 | 5B | 86 BPM | ||
Bizet: Carmen, WD 31, Act 2 Scene 5: No. 17a, Cantabile, "La fleur que tu m'avais jetée" (Don José) | Georges Bizet, Jon Vickers, Rafael Frühbeck de Burgos, Orchestre de l'Opéra National de Paris | F♯ Major | 3 | 2B | 120 BPM | ||
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
Massenet: Manon, Act 3 Tableau 1 Scene 4: "Obéissons, quand leur voix appelle … Profitons bien de la jeunesse" (Manon, Brétigny, Chorus) - Gavotte | Jules Massenet, Angela Gheorghiu, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, Brussels | G Major | 1 | 9B | 176 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM |
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