Wolfgang Amadeus Mozart, Gerhard Braun, Jean-Pierre Rampal, Claudi Arimany made "Die Zauberflote (The Magic Flute), K. 620 (arr. G. Braun): Act I: Arie: Der Vogelfanger bin ich ja" available on January 1, 1998. The duration of Die Zauberflote (The Magic Flute), K. 620 (arr. G. Braun): Act I: Arie: Der Vogelfanger bin ich ja is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Die Zauberflote (The Magic Flute), K. 620 (arr. G. Braun): Act I: Arie: Der Vogelfanger bin ich ja's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Pierre Rampal's "Magic Flutes" album is number 8 out of 20. Die Zauberflote (The Magic Flute), K. 620 (arr. G. Braun): Act I: Arie: Der Vogelfanger bin ich ja is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Die Zauberflote (The Magic Flute), K. 620 (arr. G. Braun): Act I: Arie: Der Vogelfanger bin ich ja by Wolfgang Amadeus Mozart, Gerhard Braun, Jean-Pierre Rampal, Claudi Arimany to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento No.11 in D Major, K. 251 "Nannerl-Septett": III. Andantino | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | A Major | 1 | 11B | 68 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis | Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus Mozart | G Minor | 1 | 6A | 82 BPM | ||
Debussy: Piano Trio in G Major, L. 5: I. Andantino con moto allegro | Claude Debussy, Bertrand Chamayou | C Major | 1 | 8B | 80 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato | Lang Lang | F Minor | 1 | 4A | 128 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM |
Section: 0.6269829273223877
End: 0.6307940483093262