"Symphonic Metamorphosis of Themes by Carl Maria von Weber: 3. Andantino - Live" by Paul Hindemith, Berliner Philharmoniker, Wilhelm Furtwängler was released on January 1, 2002. With this song being about 5 minutes long, at 4:53, "Symphonic Metamorphosis of Themes by Carl Maria von Weber: 3. Andantino - Live" by Paul Hindemith, Berliner Philharmoniker, Wilhelm Furtwängler is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wilhelm Furtwängler - Live Recordings 1944-1953 by Wiener Philharmoniker, Berliner Philharmoniker, Wilhelm Furtwängler. The song's track number on the album is #3 out of 39 tracks. Based on our data, Germany was the country where this track was produced or recorded. Symphonic Metamorphosis of Themes by Carl Maria von Weber: 3. Andantino - Live is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphonic Metamorphosis of Themes by Carl Maria von Weber: 3. Andantino - Live by Paul Hindemith, Berliner Philharmoniker, Wilhelm Furtwängler has a tempo of 61 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Symphonic Metamorphosis of Themes by Carl Maria von Weber: 3. Andantino - Live being at 61 BPM, the half-time would be 30 BPM with a double-time of 122 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Ambache | D♭ Major | 0 | 3B | 89 BPM | ||
4 Pieces, Op. 51: 3. Poème ailé | Alexander Scriabin, Evgeny Kissin | B Major | 0 | 1B | 97 BPM | ||
3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | G Major | 0 | 9B | 74 BPM | ||
Ma mère l'oye, ballet, M. 62: 3. Les Entretiens de la Belle et de la Bête.Mouvement de Valse modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | G Minor | 0 | 6A | 89 BPM | ||
Symphony No.2 In D, Op.73: 4. Allegro con spirito | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 102 BPM | ||
Trio for Oboe, Bassoon and Piano: 3. Rondo | Francis Poulenc, Hansjorg Schellenberger, Milan Turkovic, James Levine | D♭ Major | 2 | 3B | 71 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM |
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