"Bartók / Arr. Székely for Violin and Piano: 6 Romanian Folk Dances, Sz. 56: No. 1, Jocul cu bâtă" by Béla Bartók, Vadim Repin was released on August 22, 2006. With Bartók / Arr. Székely for Violin and Piano: 6 Romanian Folk Dances, Sz. 56: No. 1, Jocul cu bâtă being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 109 in the song's album "The Collected Recordings of Vadim Repin". In this album, this song's track order is #34. Bartók / Arr. Székely for Violin and Piano: 6 Romanian Folk Dances, Sz. 56: No. 1, Jocul cu bâtă is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Bartók / Arr. Székely for Violin and Piano: 6 Romanian Folk Dances, Sz. 56: No. 1, Jocul cu bâtă by Béla Bartók, Vadim Repin having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 0 | 12B | 112 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Pieces de clavecin: Suite in E Minor: III. Gigue en rondeau I | Jean-Philippe Rameau, Gilbert Rowland | E♭ Minor | 2 | 2A | 132 BPM | ||
Berceuse for Thomas Montgomery Newman | George Antheil, Judy Pang | C Minor | 0 | 5A | 72 BPM | ||
The Miraculous Mandarin, Sz. 73: Suddenly the Mandarin's Head Appears Between the Pillows | Béla Bartók, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 107 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | E Major | 0 | 12B | 93 BPM |
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