Adelaide Symphony Orchestra, David Stanhope, Peter Whish-Wilson made "Tuba Suite No.1 - "Effie The Elephant": 5. Effie Goes Folk Dancing" available on 2009. With Tuba Suite No.1 - "Effie The Elephant": 5. Effie Goes Folk Dancing being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "My First Orchestra Album" album is number 3 out of 22. Tuba Suite No.1 - "Effie The Elephant": 5. Effie Goes Folk Dancing is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Tuba Suite No.1 - "Effie The Elephant": 5. Effie Goes Folk Dancing by Adelaide Symphony Orchestra, David Stanhope, Peter Whish-Wilson to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
So Many Paths - Live In Australia, 1979 | Little River Band, Adelaide Symphony Orchestra | A Major | 5 | 11B | 132 BPM | ||
Harp Concerto in A major: 2. Larghetto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 80 BPM | ||
Pelléas et Mélisande, Op.80: 4. Sicilienne | Adelaide Symphony Orchestra, David Stanhope | G Minor | 1 | 6A | 76 BPM | ||
String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM | ||
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Adrian Leaper | G Minor | 1 | 6A | 71 BPM | ||
Rutter: Requiem: Pie Jesu | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, Edward Saklatvala, City of London Sinfonia | F Major | 0 | 7B | 77 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
Marriage of Figaro | Jeff String | C Minor | 4 | 5A | 138 BPM | ||
Serenade No. 5, Op. 3 | The Jane Austen Era | G Major | 1 | 9B | 95 BPM | ||
Farewell to Stromness (Arr. for Orchestra) | Peter Maxwell Davies, Philharmonia Orchestra, Christopher Warren-Green | D Major | 0 | 10B | 59 BPM |
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