"Panis Angelicus" by César Franck, Kiri Te Kanawa, English Chamber Orchestra, Barry Rose was released on January 1, 1984. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Kiri Te Kanawa, St. Paul's Cathedral Choir, English Chamber Orchestra, Barry Rose's "Kiri Te Kanawa - Ave Maria" album is number 7 out of 12. Panis Angelicus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Panis Angelicus by César Franck, Kiri Te Kanawa, English Chamber Orchestra, Barry Rose to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Serse, HWV 40 / Act 1: "Frondi tenere, e belle...Ombra mai fu" - Remastered | George Frideric Handel, Andrea Bocelli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | E♭ Major | 2 | 5B | 83 BPM | ||
Requiem, Op. 48: 4. Pie Jesu | Gabriel Fauré, Kiri Te Kanawa, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Major | 0 | 6B | 88 BPM | ||
Joy to The World! | Huddersfield Choral Society, Brian Kay, David Bell, Owain Arwel Hughes | D Major | 1 | 10B | 99 BPM | ||
Wiegenlied | Richard Strauss, Anna Netrebko, Emmanuel Villaume, Prague Philharmonic Orchestra | D Major | 0 | 10B | 83 BPM | ||
Charpentier: Messe de minuit pour Noël, H. 9: "Kyrie eleison" | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | C Minor | 1 | 5A | 70 BPM | ||
Ave Maria, CG 89a (After J.S. Bach: Prelude in C Major, BWV 846) [Arr. Sabatini] | Charles Gounod, Lise Davidsen, The Norwegian Radio Orchestra, Christian Eggen | F♯ Major | 1 | 2B | 82 BPM | ||
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 54 "O Haupt voll Blut und Wunden" | Johann Sebastian Bach, The Monteverdi Choir, The London Oratory Junior Choir, English Baroque Soloists, John Eliot Gardiner | E Major | 1 | 12B | 78 BPM | ||
Messiah, HWV 56 / Pt. 1: Comfort Ye My People | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Philip Langridge | B Major | 1 | 1B | 101 BPM | ||
Concerto Grosso In G Minor, Op.8, No.6 "Christmas Concerto": 3. Vivace | Giuseppe Torelli, Thomas Brandis, Emil Maas, Ottomar Borwitzky, Wolfgang Meyer, Waldemar Döling, Berliner Philharmoniker, Herbert von Karajan | C Minor | 3 | 5A | 89 BPM | ||
Navidad Nuestra: 5. Los Reyes Magos (takirari) | Ariel Ramírez, José Carreras, Coral Salvé de Laredo, Sociedad Coral de Bilbao, Damián Sanchez | C Major | 6 | 8B | 75 BPM |
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