"Messiah, HWV 56 / Pt. 1: Comfort Ye My People" by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Philip Langridge was released on January 1, 2013. The duration of Messiah, HWV 56 / Pt. 1: Comfort Ye My People is about 3 minutes long, at 3:00. Based on our data, "Messiah, HWV 56 / Pt. 1: Comfort Ye My People" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 49 in the song's album "The Messiah (Platinum Edition)". In this album, this song's track order is #2. In terms of popularity, Messiah, HWV 56 / Pt. 1: Comfort Ye My People is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messiah, HWV 56 / Pt. 1: Comfort Ye My People by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Philip Langridge having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christmas Oratorio, BWV 248 / Part Two - For the second Day of Christmas: No.10 Sinfonia | Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 0 | 9B | 79 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe": Laudamus te | Wolfgang Amadeus Mozart, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs | F Major | 1 | 7B | 121 BPM | ||
Oratorio de Noel, Op. 12: Quartet: Alleluja (Soprano 1, Soprano 2, Alto, Bass) | Camille Saint-Saëns, Britt Marie Aruhn, Anne Sofie von Otter, Ingmari Landin, Erland Hagegård, Ulf Lundmark, Mikaeli Chamber Choir, Karin Langebo, Bengt Forsberg, Royal Opera Theater Orchestra, Anders Eby | F♯ Major | 0 | 2B | 53 BPM | ||
Verleih uns Frieden gnädiglich | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | A♭ Major | 2 | 4B | 87 BPM | ||
Magnificat: VII. Gloria Patri | John Rutter, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 71 BPM | ||
Ave Maria (Angelus Domini) | Franz Xaver Biebl, Boston Trinity Church Choir, Brian Jones | C Major | 1 | 8B | 138 BPM | ||
Schubert: Deutsche Messe, D. 872: No. 5, Zum Sanctus | Franz Schubert, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch, Elmar Schloter | E Minor | 0 | 9A | 124 BPM | ||
Ave Maria | The Oxford Trinity Choir | F Major | 1 | 7B | 127 BPM | ||
A Ceremony of Carols, Op. 28: X. Deo gracias | Benjamin Britten, The Choir Of Trinity College, Cambridge | E Minor | 1 | 9A | 78 BPM | ||
All-Night Vigil, Op. 37 "Vespers": No. 6, Ave Maria | Sergei Rachmaninoff, The Cambridge Singers, John Rutter | F Major | 0 | 7B | 151 BPM |
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