- BPM
- 138
- Key
- C Major
- Camelot
- 8B
Ave Maria (Angelus Domini) - Franz Xaver Biebl, Boston Trinity Church Choir, Brian Jones Information
- Acousticness
- 99%
- Danceability
- 18%
- Energy
- 6%
- Instrumentalness
- 30%
- Liveness
- 11%
- Loudness
- 55%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 7%
- Loudness
- -26.882 dB
Summary
"Ave Maria (Angelus Domini)" by Franz Xaver Biebl, Boston Trinity Church Choir, Brian Jones was released on January 1, 1999. Ave Maria (Angelus Domini) is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. The song is number 1 out of 13 in Choral Recital: Boston Trinity Church Choir - Biebl, F.X. / Tavener, J. / Part, A. / Dirksen, R.W. (Radiant Light - Songs for the Millennium) by Brian Jones. Based on our statistics, Ave Maria (Angelus Domini)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ave Maria (Angelus Domini) BPM
The tempo marking of Ave Maria (Angelus Domini) by Franz Xaver Biebl, Boston Trinity Church Choir, Brian Jones is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Ave Maria (Angelus Domini) Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Eventide: Abide with me | Trad, The Choir Of Westminster Abbey, Martin Baker (organ), Martin Neary, London Brass | E♭ Major | 1 | 5B | 132 BPM | |
 | A Spotless Rose | Herbert Howells, Choir of King's College, Cambridge, Stephen Cleobury | A Major | 1 | 11B | 105 BPM | |
 | Lully, Lulla, Lullay | Philip Stopford, Caroline Halls, Owen Rees | F Minor | 0 | 4A | 86 BPM | |
 | Traditional: "A spotless rose" | Traditional, Choir of King's College, Cambridge, Philip Ledger | B Minor | 1 | 10A | 82 BPM | |
 | Surely, He Hath Borne Our Griefs - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | F Minor | 1 | 4A | 55 BPM | |
 | Christmas Night (arr. J. Rutter) | John Rutter, Traditional, Copley Singers, The, Christian Lane, Brian Jones | E Major | 1 | 12B | 79 BPM | |
 | Messiah, HWV 56 / Pt. 1: Comfort Ye My People | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Philip Langridge | B Major | 1 | 1B | 101 BPM | |
 | Ave Maria | Franz Biebl, Akademiska Damkören Lyran, Sophie Aminoff, Aurora Djupsjöbacka, Maïmouna Jagne-Soreau, Jutta Seppinen | C Major | 1 | 8B | 138 BPM | |
 | Ave Verum | Karl Jenkins, The Priests, Allan Wilson, Slovak National Symphony Orchestra | D♭ Major | 8 | 3B | 187 BPM | |
 | Dormi, Jesu | Kim André Arnesen, Sara Michael, Juliane Dowell, Kantorei, Joel Rinsema | D♭ Major | 0 | 3B | 130 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5575006008148193
End: 0.5632100105285645