"Ave Maria, CG 89a (After J.S. Bach: Prelude in C Major, BWV 846) [Arr. Sabatini]" by Charles Gounod, Lise Davidsen, The Norwegian Radio Orchestra, Christian Eggen was released on August 31, 2023. The duration of Ave Maria, CG 89a (After J.S. Bach: Prelude in C Major, BWV 846) [Arr. Sabatini] is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Ave Maria, CG 89a (After J.S. Bach: Prelude in C Major, BWV 846) [Arr. Sabatini]'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Gounod: Ave Maria, CG 89a (After J.S. Bach: Prelude in C Major, BWV 846) [Arr. Sabatini] and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. Ave Maria, CG 89a (After J.S. Bach: Prelude in C Major, BWV 846) [Arr. Sabatini] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave Maria, CG 89a (After J.S. Bach: Prelude in C Major, BWV 846) [Arr. Sabatini] by Charles Gounod, Lise Davidsen, The Norwegian Radio Orchestra, Christian Eggen to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poeme, Op. 41, No. 6 | Fibich, Grand Philharmonia Orchestra | C Major | 1 | 8B | 135 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Nocturne No. 2 in E-Flat Major, Op. 9 (Arr. by Pierre Fournier) | Frédéric Chopin, Pierre Fournier, Lamar Crowson | C Minor | 1 | 5A | 95 BPM | ||
Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | ||
Gounod : Faust : Act 2 Entr'acte | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | F Minor | 0 | 4A | 82 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation 18 (Andante cantabile) | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | D♭ Major | 1 | 3B | 61 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | ||
L'heure exquise | Reynaldo Hahn, Christian-Pierre La Marca | D Major | 0 | 10B | 80 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM |
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