Hans Bakker, Markéta Soldánová, Ales Janecek, Gabriela Kummerova made "Trio for Flute, Oboe & Clarinet: III. Moderato" available on January 13, 2017. With Trio for Flute, Oboe & Clarinet: III. Moderato being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Lines to Infinity" album is number 8 out of 12. Based on our statistics, Trio for Flute, Oboe & Clarinet: III. Moderato's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Trio for Flute, Oboe & Clarinet: III. Moderato by Hans Bakker, Markéta Soldánová, Ales Janecek, Gabriela Kummerova to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: The Swan (Le Cygne) | Conrad Zwicky | G Major | 0 | 9B | 69 BPM | ||
Suite for Solo Cello: III. Intermezzo e danza finale | Gaspar Cassadó, Santiago Canon Valencia | G Major | 1 | 9B | 114 BPM | ||
Bassoon Concerto in A Minor, RV 498: II. Larghetto | Antonio Vivaldi, Sergio Azzolini, L'Onda Armonica | F Major | 0 | 7B | 63 BPM | ||
Fratres - Version for Violin, Strings and Percussion | Arvo Pärt, Kristjan Järvi, Anne Akiko Meyers, MDR Leipzig Radio Symphony Orchestra | D Minor | 0 | 7A | 87 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I | Morton Feldman, Ensemble Recherche | C Major | 0 | 8B | 72 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
3 Epilogues for Piano: No. 3, Lento e rubato | Hans Bakker, Rangel Silaev | D Minor | 1 | 7A | 87 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Richard Kapp | A Minor | 1 | 8A | 82 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM |
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