- BPM
- 86
- Key
- A Major
- Camelot
- 11B
Rigoletto, Act III: Bella figlia dell'amore - Live in Turin, 1967 - Giuseppe Verdi, Luciano Pavarotti, Piero Cappuccilli, Margherita Rinaldi, Orchestra Del Teatro Alla Scala, Milano, Mario Rossi Information
- Acousticness
- 98%
- Danceability
- 45%
- Energy
- 17%
- Instrumentalness
- 34%
- Liveness
- 16%
- Loudness
- 79%
- Speechiness
- 5%
- Valence
- 17%
- Popularity
- 1%
- Loudness
- -12.477 dB
Summary
"Rigoletto, Act III: Bella figlia dell'amore - Live in Turin, 1967" by Giuseppe Verdi, Luciano Pavarotti, Piero Cappuccilli, Margherita Rinaldi, Orchestra Del Teatro Alla Scala, Milano, Mario Rossi was released on January 1, 2010. Rigoletto, Act III: Bella figlia dell'amore - Live in Turin, 1967 is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. The track order of this song in Luciano Pavarotti's "Luciano Pavarotti: The Ultimate Collection Live – Over 100 Tracks Live in Concert and at the Opera" album is number 49 out of 115. On top of that, United States appears to be the country where this track was created. Rigoletto, Act III: Bella figlia dell'amore - Live in Turin, 1967 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Rigoletto, Act III: Bella figlia dell'amore - Live in Turin, 1967 BPM
We consider the tempo marking of Rigoletto, Act III: Bella figlia dell'amore - Live in Turin, 1967 by Giuseppe Verdi, Luciano Pavarotti, Piero Cappuccilli, Margherita Rinaldi, Orchestra Del Teatro Alla Scala, Milano, Mario Rossi to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Rigoletto, Act III: Bella figlia dell'amore - Live in Turin, 1967 Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | |
 | Rigoletto, Act I: Gualtier Malde … Caro nome | Giuseppe Verdi, Maria Callas, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E Major | 1 | 12B | 140 BPM | |
 | La Gioconda / Act II: "Cielo e mar" | Amilcare Ponchielli, Rolando Villazón, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari | E♭ Major | 2 | 5B | 80 BPM | |
 | Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | |
 | La traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Luciano Pavarotti, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | B♭ Major | 2 | 6B | 110 BPM | |
 | La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM | |
 | La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | |
 | Verdi: Messa da Requiem: XVII. Libera me - Dies irae | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 2 | 4B | 88 BPM | |
 | Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | |
 | Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM |
- ISRC
- USSRL0701584
- Label
- L-M Records/RCA Records
Section: 0.693927526473999
End: 0.6984374523162842