- BPM
- 140
- Key
- E Major
- Camelot
- 12B
Rigoletto, Act I: Gualtier Malde … Caro nome - Giuseppe Verdi, Maria Callas, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin Information
- Acousticness
- 98%
- Danceability
- 28%
- Energy
- 6%
- Instrumentalness
- 3%
- Liveness
- 6%
- Loudness
- 67%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 25%
- Loudness
- -19.593 dB
Summary
"Rigoletto, Act I: Gualtier Malde … Caro nome" by Giuseppe Verdi, Maria Callas, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin was released on June 29, 2010. Since Rigoletto, Act I: Gualtier Malde … Caro nome is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 11 in Callas, Maria: Liebeslieder by Maria Callas, Tullio Serafin, Herbert von Karajan, Antonino Votto, Oliviero de Fabritiis, Vittorio Gui, Arturo Basile. Based on our statistics, Rigoletto, Act I: Gualtier Malde … Caro nome's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Rigoletto, Act I: Gualtier Malde … Caro nome BPM
The tempo marking of Rigoletto, Act I: Gualtier Malde … Caro nome by Giuseppe Verdi, Maria Callas, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
Rigoletto, Act I: Gualtier Malde … Caro nome Key
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Si può?....Chi è là? (Benoît/Marcello/Schaunard/Colline/Rodolfo) - 1997 Remastered Version | Giacomo Puccini, Carlo Badioli, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | F♯ Minor | 2 | 11A | 109 BPM | |
 | Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | |
 | Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | |
 | Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | |
 | Verdi: Messa da Requiem: XVI. Lux aeterna | Giuseppe Verdi, Riccardo Muti, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | |
 | Bizet: Carmen, Act 1: Habanera. "L'amour est un oiseau rebelle" (Carmen, Chœur) | Georges Bizet, Maria Callas, Choeurs Rene Duclos, Georges Prêtre, Orchestre du Théâtre National de l'Opéra de Paris | D Major | 1 | 10B | 102 BPM | |
 | Bellini: Norma, Act 1: "Oh! rimembranza!" (Norma, Adalgisa) | Vincenzo Bellini, Maria Callas, Christa Ludwig, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F Minor | 3 | 4A | 106 BPM | |
 | Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | |
 | Puccini: Turandot, Act 3: "Principessa divina!" (Turandot, Calaf, Liù, Ping, Crowd) | Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Elisabeth Schwarzkopf, Eugenio Fernandi, Mario Borriello, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM | |
 | Verdi: La forza del destino, Act 1: "Temea restasse qui fino a domani" (Curra, Leonora) | Giuseppe Verdi, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Rina Cavallari, Tullio Serafin | G Major | 1 | 9B | 98 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7721192836761475
End: 0.7757701873779297