"Puccini: Turandot, Act 3: "Principessa divina!" (Turandot, Calaf, Liù, Ping, Crowd)" by Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Elisabeth Schwarzkopf, Eugenio Fernandi, Mario Borriello, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin was released on 1958. The duration of Puccini: Turandot, Act 3: "Principessa divina!" (Turandot, Calaf, Liù, Ping, Crowd) is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Puccini: Turandot, Act 3: "Principessa divina!" (Turandot, Calaf, Liù, Ping, Crowd)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Puccini: Turandot (1957 - Serafin) - Callas Remastered". In this album, this song's track order is #36. Furthermore, we believe that the track originated from United Kingdom. Puccini: Turandot, Act 3: "Principessa divina!" (Turandot, Calaf, Liù, Ping, Crowd) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Turandot, Act 3: "Principessa divina!" (Turandot, Calaf, Liù, Ping, Crowd) by Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Elisabeth Schwarzkopf, Eugenio Fernandi, Mario Borriello, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lakmé, Act 1: Dôme épais le jasmin "Flower Duet" | Léo Delibes, Carl Davis, Royal Liverpool Philharmonic Orchestra, Janice Watson, Ruby Philogene, The King's Division Normandy Band | B Major | 2 | 1B | 77 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) | Henry Purcell, William Christie, Véronique Gens, Les Arts Florissants | F♯ Minor | 0 | 11A | 80 BPM | ||
Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM | ||
Fiordiligi, Dorabella and Don Alfonso's Trio (Soave sia il vento) from Così fan tutte | Wolfgang Amadeus Mozart, Walter Weller, London Philharmonic Orchestra, Diana Montague, Orla Boylan, Alan Opie | E Major | 1 | 12B | 87 BPM | ||
Cavalleria rusticana: Act I: Intermezzo sinfonico | Pietro Mascagni, James Levine, National Philharmonic Orchestra | F Major | 1 | 7B | 87 BPM | ||
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Soave sia il vento | Amici forever | E Major | 3 | 12B | 77 BPM | ||
Puccini : La bohème : Act 3 "Donde lieta uscì" [Mimì] | Giacomo Puccini, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra, James Conlon, Orchestre National De France | D♭ Major | 0 | 3B | 87 BPM | ||
Otello: Ave Maria (Atto IV) | Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno, Elizabeth Bainbridge | A♭ Major | 0 | 4B | 88 BPM | ||
Casta Diva from Norma | Vincenzo Bellini, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 177 BPM |
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