"La Cenerentola (Cinderella): Act I Scene 1: Recitative - Si, tutto cangera (Alidoro, Cenerentola)" by Gioachino Rossini, Joyce DiDonato, Jose Manuel Zapata, Paolo Bordogna, Bruno Pratico, Patrizia Cigna, Martina Borst, Luca Pisaroni, Marco Bellei, Prague Chamber Chorus, SWR Symphony Orchestra, Alberto Zedda was released on September 1, 2005. The duration of La Cenerentola (Cinderella): Act I Scene 1: Recitative - Si, tutto cangera (Alidoro, Cenerentola) is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. La Cenerentola (Cinderella): Act I Scene 1: Recitative - Si, tutto cangera (Alidoro, Cenerentola)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Rossini: Cenerentola (La) (Cinderella)". In this album, this song's track order is #11. La Cenerentola (Cinderella): Act I Scene 1: Recitative - Si, tutto cangera (Alidoro, Cenerentola) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Cenerentola (Cinderella): Act I Scene 1: Recitative - Si, tutto cangera (Alidoro, Cenerentola) by Gioachino Rossini, Joyce DiDonato, Jose Manuel Zapata, Paolo Bordogna, Bruno Pratico, Patrizia Cigna, Martina Borst, Luca Pisaroni, Marco Bellei, Prague Chamber Chorus, SWR Symphony Orchestra, Alberto Zedda having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia: Largo al factotum - Remastered | Gioachino Rossini, Erich Leinsdorf | C Major | 3 | 8B | 66 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Rienzi: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 3 | 10B | 99 BPM | ||
The Peasant and The Poet | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | D Major | 2 | 10B | 86 BPM | ||
Carmina Burana / Fortuna Imperatrix Mundi: "Fortune plango vulnera" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 2 | 6B | 132 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Grieg: Peer Gynt (Incidental Music), Op. 23, Act 2: No. 8, In the Hall of the Mountain King | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 105 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): X. Ein Tanz von Rüppeln / Danse bergamasque | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | B Major | 1 | 1B | 125 BPM |
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