"Caligula: Applause" by Detlev Glanert, Ashley Holland, Michaela Schuster, Martin Wolfel, Gregory Frank, Jurgita Adamonyte, Hans-Jurgen Lazar, Dietrich Volle, Barbara Zechmeister, Constantin Neiconi, Michael Schulte, Jin Soo Lee, Matthias Holzmann, Frankfurt Opera Chorus, Frankfurt Opera and Museum Orchestra, Markus Stenz was released on May 25, 2010. With Caligula: Applause being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 20 in Caligula by Detlev Glanert, Markus Stenz. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Caligula: Applause is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Caligula: Applause by Detlev Glanert, Ashley Holland, Michaela Schuster, Martin Wolfel, Gregory Frank, Jurgita Adamonyte, Hans-Jurgen Lazar, Dietrich Volle, Barbara Zechmeister, Constantin Neiconi, Michael Schulte, Jin Soo Lee, Matthias Holzmann, Frankfurt Opera Chorus, Frankfurt Opera and Museum Orchestra, Markus Stenz is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kaddish: Part II, The Holocaust: What a Beautiful Place You Have Here | Lawrence Siegel, Maria Jette, Krista J. Palmquist, Anders Eckman, James Bohn, VocalEssence Chorus, VocalEssence Ensemble Singers, Philip Brunelle | A Major | 1 | 11B | 0 BPM | ||
Symphony No. 4 in A Minor, Op. 63: IV. Allegro | Jean Sibelius, Gothenburg Symphony Orchestra, Santtu-Matias Rouvali | D♭ Minor | 1 | 12A | 88 BPM | ||
Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM | ||
Messiaen: Éclairs sur l'au-delà...: II. La constellation du Sagittaire | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | G Major | 1 | 9B | 69 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": III. Perpetuum mobile | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | B♭ Minor | 3 | 3A | 90 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Romeo and Juliet, Op. 64: No. 10 The Young Juliet | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | F Major | 0 | 7B | 110 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: III. Allegro maestoso I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Pittsburgh Symphony Orchestra, William Steinberg | C Major | 3 | 8B | 96 BPM | ||
Messa di Gloria: XII. Crucifixus | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | D Major | 1 | 10B | 62 BPM |
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