Giovanni Battista Bassani, Nova Ars Cantandi, Andrea Arrivabene, Giovanni Acciai's 'Armonici entusiasmi di Davide, Op. 9, Psalm 109 "Dixit Dominus Domino meo": Psalm 109, "Dixit Dominus Domino meo": Dominus a dextris tuis confregit in die ille suae reges' came out on May 5, 2015. With Armonici entusiasmi di Davide, Op. 9, Psalm 109 "Dixit Dominus Domino meo": Psalm 109, "Dixit Dominus Domino meo": Dominus a dextris tuis confregit in die ille suae reges being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 67 in Bassani: Armonici entusiasmi di Davide, Op. 9 by Giovanni Battista Bassani, Nova Ars Cantandi, Giovanni Acciai. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Armonici entusiasmi di Davide, Op. 9, Psalm 109 "Dixit Dominus Domino meo": Psalm 109, "Dixit Dominus Domino meo": Dominus a dextris tuis confregit in die ille suae reges is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Armonici entusiasmi di Davide, Op. 9, Psalm 109 "Dixit Dominus Domino meo": Psalm 109, "Dixit Dominus Domino meo": Dominus a dextris tuis confregit in die ille suae reges by Giovanni Battista Bassani, Nova Ars Cantandi, Andrea Arrivabene, Giovanni Acciai is Lento (slowly), since this song has a tempo of 54 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa S. Marcellini: XXIV. Benedictus - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | B♭ Minor | 1 | 3A | 77 BPM | ||
Concerto V in G Minor: III. Grave | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: VIII. Gloria Patri et Filio | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
All'Arm' all'Arme | The Royal Wind Music | A♭ Major | 1 | 4B | 124 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VI. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Sinfonia No. 12 in la minore (La passione di Gesù Signor nostro): III. Allegretto | Accademia Farnese, Claudio Ferrarini | A Minor | 1 | 8A | 96 BPM | ||
Uns ist ein Kind geboren: I. Sonata | Johann Kuhnau, Camerata Lipsiensis, Gregor Meyer | A♭ Minor | 1 | 1A | 103 BPM | ||
Fantasia-Suite in A Minor, VdGS group IV, No. 1: III. Courante | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: VIII. Qui tollis peccata mundi: Adagio | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 80 BPM |
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