Fritz Wunderlich made "Grüß euch Gott" available on 2017. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 35 in the song's album "O sole mio". In this album, this song's track order is #25. Based on our statistics, Grüß euch Gott's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Grüß euch Gott by Fritz Wunderlich having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: La forza del destino: Overture to Act 1 | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | F Minor | 1 | 4A | 88 BPM | ||
Quand je fus pris au pavillon | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | F♯ Major | 1 | 2B | 124 BPM | ||
Der Barbier von Bagdad (1990 Digital Remaster): So leb'ich noch ... Vor deinem Fenster die Blumen | Fritz Wunderlich, Bavarian State Orchestra, Hans Müller-Kray | F Major | 1 | 7B | 78 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
Andrea Chénier / Act III: "La mamma morta" | Umberto Giordano, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | D Major | 1 | 10B | 76 BPM | ||
Uschi: Uschi: Liebe und Gluck kehrt nie zuruck | Jean Gilbert, Fritz Wunderlich, Franziska Wachmann, South West German Radio Kaiserslautern Orchestra, Emmerich Smola | C Major | 2 | 8B | 88 BPM | ||
4 Lieder, Op. 43: I. Von ewiger Liebe - Dunkel, wie dunkel | Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg | B Major | 1 | 1B | 130 BPM | ||
Verschwiegene Liebe | Hugo Wolf, Jonas Kaufmann, Helmut Deutsch | A Major | 0 | 11B | 74 BPM | ||
Verdi: Aïda, Act 1: "Celeste Aïda" (Radames) | Giuseppe Verdi, Plácido Domingo, Nello Santi, Berlin Deutsche Oper Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
Der Freischütz, J. 277 / Act II: "Kommt ein schlanker Bursch gegangen" | Carl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 95 BPM |
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