Serafín Adame, Adolfo Torrado, Fernando Díaz Giles, Marcos Redondo's 'El Cantar del Arriero: Soy Arriero (Salida de Lorenzo) - Remastered' came out on March 31, 2014. The duration of El Cantar del Arriero: Soy Arriero (Salida de Lorenzo) - Remastered is about 3 minutes long, at 3:02. Based on our data, "El Cantar del Arriero: Soy Arriero (Salida de Lorenzo) - Remastered" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 34 in El Divo by Marcos Redondo. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. El Cantar del Arriero: Soy Arriero (Salida de Lorenzo) - Remastered is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El Cantar del Arriero: Soy Arriero (Salida de Lorenzo) - Remastered by Serafín Adame, Adolfo Torrado, Fernando Díaz Giles, Marcos Redondo is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Montserratina (Sardana) | Cobla Barcelona | E♭ Major | 2 | 5B | 116 BPM | ||
Mas Alla Del Amor | Manolo Escobar | F♯ Minor | 2 | 11A | 86 BPM | ||
Dice Que Me Ha de Matar / Lagunera (feat. Miguel Cenoz, Rondalla Lizaga-Domingo) | Raimundo Lanas, Miguel Cenoz, Rondalla Lizaga-Domingo | A♭ Minor | 4 | 1A | 80 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Il tuo dubbio è omai certezza ... Come vinti da stanchezza" (Chorus, Normanno, Enrico, Raimondo) | Gaetano Donizetti, Gino Sarri/Tito Gobbi/Raffaele Arié/Coro del Maggio Musicale Fiorentino/Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Coro del Maggio Musicale Fiorentino, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Golondrina de Madrid: "¡No, Caballero!¡Apártese!" | Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón | B♭ Major | 3 | 6B | 103 BPM | ||
El Dictador, Acto II: Mi Carta Mujer de Mis Amores (Romanza de la Carta, Boris) - Remastered | Federico Romero, Guillermo Fernández-Shaw, Rafael Millán, Rafael Millá, Marcos Redondo | B♭ Major | 3 | 6B | 178 BPM | ||
Los gavilanes, Acto I: Palomita, Palomita | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | A♭ Major | 2 | 4B | 124 BPM | ||
Antonia la Cantaora | Antoñita Moreno | F♯ Minor | 3 | 11A | 82 BPM | ||
In Quelle Trine Morbide (Manon Lescaut) | Renata Tebaldi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 74 BPM | ||
Himno a Grau | Banda de la Escuela Naval del Perú | A♭ Major | 3 | 4B | 98 BPM |
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