Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero's 'Los gavilanes, Acto I: Palomita, Palomita' came out on August 16, 2019. The duration of Los gavilanes, Acto I: Palomita, Palomita is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Los gavilanes, Acto I: Palomita, Palomita's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ataúlfo Argenta, José Perera, Orquesta de Cámara de Madrid, Coros Cantores de Madrid, Toñy Rosad's "Los gavilanes (Zarzuela en tres actos)" album is number 4 out of 13. Based on our statistics, Los gavilanes, Acto I: Palomita, Palomita's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Los gavilanes, Acto I: Palomita, Palomita by Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: Fredda ed immobile | Gioachino Rossini, Teresa Berganza, Fernando Corena, Nicolai Ghiaurov, Stefania Malagu, Ugo Benelli, Manuel Ausensi, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | A♭ Major | 2 | 4B | 83 BPM | ||
La gran via: Introducción y polca de las calles | Ana Maria Iriarte, Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Toñy Rosado, Federico Chueca | C Major | 3 | 8B | 121 BPM | ||
Massenet: Don Quichotte, Act 1: Sérénade. "Quand apparaissent les étoiles" (Don Quichotte, Juan, Dulcinée) | Jules Massenet, Michel Plasson, José van Dam, Nicolas Rivenq, Teresa Berganza, Orchestre Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
La Verbena de la Paloma, Act I: La Virgen de la Paloma (Chœur) | Tomás Bretón, Antoni Ros Marbá, Coro De La Comunidad De Madrid, Miguel Groba, Orquesta Sinfónica de Madrid | D Major | 4 | 10B | 81 BPM | ||
Primer Acte: Duet Canta-li sa Lliçó Clara | Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra Simfònica | F Major | 1 | 7B | 101 BPM | ||
Conoció a España Sin Verla / Fui Malo Pero Soy Bueno (feat. Rondalla) | José Oto, Rondalla | C Major | 2 | 8B | 88 BPM | ||
Aprieta Bien el Cántaro - Remastered | Jesús Gracia, Piedad Gil, Rondalla Santamaría, Florencio Santamaría | A Major | 5 | 11B | 189 BPM | ||
La vestale, Act II: Prayer: O des infortunes | Gaspare Spontini, Renata Scotto, Budapest Symphony Orchestra, Charles Rosekrans | B Minor | 1 | 10A | 68 BPM | ||
Golondrina de Madrid: "Sopló Furioso el Viento de Mi Destino" | Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón | B♭ Major | 3 | 6B | 103 BPM | ||
Los gavilanes, Acto II: No importa que al amor mio | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | D♭ Minor | 4 | 12A | 168 BPM |
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