"Missa pro defunctis: Agnus Dei" by Duarte Lobo, The Cambridge Taverner Choir, Owen Rees was released on June 1, 1993. The duration of Missa pro defunctis: Agnus Dei is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Missa pro defunctis: Agnus Dei's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Cambridge Taverner Choir, Owen Rees's "Music from Renaissance Portugal" album is number 10 out of 18. Missa pro defunctis: Agnus Dei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro defunctis: Agnus Dei by Duarte Lobo, The Cambridge Taverner Choir, Owen Rees to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Jubilate Deo: Kyrie | Schola Laudis, Kevin Allen | A♭ Major | 4 | 4B | 124 BPM | ||
Missa "Mater Patris": Mater Patris et fil | Josquin des Prez, Antoine Brumel, Jerycho, Bartosz Izbicki | E Major | 2 | 12B | 66 BPM | ||
Missa Veni Domine: Kyrie | Duarte Lobo, The Marian Consort, Rory McCleery | F Minor | 2 | 4A | 106 BPM | ||
Stabat Mater: O quam tristis et afflicta | Zuzanna Koziej, Agnieszka Frankow-Zelazny, NFM Choir | E Minor | 4 | 9A | 200 BPM | ||
Missa pro defunctis: I. Introit | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | D Major | 2 | 10B | 129 BPM | ||
Missa Malheur me bat a 4: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F♯ Minor | 2 | 11A | 77 BPM | ||
Messe de Barcelone (Barcelone-Bbc, ms. 971): Kyrie | Anonymous Anonymous, Ensemble Gilles Binchois, Dominique Vellard | F Major | 0 | 7B | 73 BPM | ||
Missa Elisabeth Zachariae: Ia. Kyrie I | Duarte Lobo, Luís Toscano, Cupertinos | E♭ Major | 2 | 5B | 81 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Fidelis Servus | The Rose Ensemble, Jordan Sramek | G Major | 0 | 9B | 104 BPM |
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