Crucifixus
Antonio Caldara, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest
Bononcini: Stabat Mater / Lotti: Crucifixus / Caldara: Crucifixus
4:49 March 7, 1978
BPM
146
Key
A Minor
Camelot
8A

Embed

Share Link

Crucifixus - Antonio Caldara, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest Information

Acousticness
86%
Danceability
13%
Energy
26%
Instrumentalness
68%
Liveness
11%
Loudness
70%
Speechiness
4%
Valence
4%
Popularity
Loudness
-17.802 dB

Summary

"Crucifixus" by Antonio Caldara, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest had its release date on March 7, 1978. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 15 in Bononcini: Stabat Mater / Lotti: Crucifixus / Caldara: Crucifixus by Giovanni Bononcini, George Guest, Felicity Palmer, Philip Langridge, Paul Esswood, Christopher Keyte, Choir of St. John's College, Cambridge, London Philharmonic Orchestra. Based on our statistics, Crucifixus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Crucifixus BPM

The tempo marking of Crucifixus by Antonio Caldara, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.

Crucifixus Key

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Hear My Prayer by Henry Purcell, Vox Luminis, Lionel MeunierHear My PrayerHenry Purcell, Vox Luminis, Lionel MeunierB Minor110A175 BPM
Abdelazer, Z.570: Air - Jig - Hornpipe - Air by Henry Purcell, Academy of Ancient Music, Christopher HogwoodAbdelazer, Z.570: Air - Jig - Hornpipe - AirHenry Purcell, Academy of Ancient Music, Christopher HogwoodF♯ Minor211A172 BPM
Te Deum: In Te, Domine, speravi by Jean-Baptiste Lully, Le Concert Spirituel, Herve NiquetTe Deum: In Te, Domine, speraviJean-Baptiste Lully, Le Concert Spirituel, Herve NiquetD Minor07A78 BPM
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi by Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph RademannHistoria der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu ChristiHeinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph RademannD♭ Major13B169 BPM
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro by Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav KrcekConcerto Grosso in E Minor, Op. 3, No. 3: I. AllegroFrancesco Onofrio Manfredini, Capella Istropolitana, Jaroslav KrcekE Minor29A102 BPM
Handel: Theodora, HWV 68, Act 2: Handel: Theodora, HWV 68, Act 2: "With Darkness Deep, as Is My Woe" (Theodora)George Frideric Handel, Jupiter, Thomas Dunford, Lea DesandreE♭ Minor32A102 BPM
Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce by William Boyce, Academy of St. Martin in the Fields, Sir Neville MarrinerSymphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolceWilliam Boyce, Academy of St. Martin in the Fields, Sir Neville MarrinerG Minor16A84 BPM
Concerto Armonico No. 1 in G Major: Grave by Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin MallonConcerto Armonico No. 1 in G Major: GraveUnico Wilhelm van Wassenaer, Aradia Ensemble, Kevin MallonF♯ Major12B63 BPM
Vespro della beata Vergine (1610): Concerto - Duo Seraphim by Claudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & PlayersVespro della beata Vergine (1610): Concerto - Duo SeraphimClaudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & PlayersG Minor26A82 BPM
Vespro della Beata Vergine, SV 206: Hymnus Vespro della Beata Vergine, SV 206: Hymnus "Ave maris stella"Claudio Monteverdi, Raphael Pichon, Ensemble PygmalionG Major19B123 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records