- BPM
- 109
- Key
- C Minor
- Camelot
- 5A
Die Schöpfung HobXXI/2, PART 1: Am Anfange schuf Gott Himmel und Erde:Rezitativ (Raphael, Uriel, Chor) - Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner, Jan-Hendrik Rootering, Barbara Bonney, Südfunk-Chor, Hans Peter Blochwitz Information
- Acousticness
- 92%
- Danceability
- 19%
- Energy
- 0%
- Instrumentalness
- 0%
- Liveness
- 20%
- Loudness
- 51%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -29.37 dB
Summary
"Die Schöpfung HobXXI/2, PART 1: Am Anfange schuf Gott Himmel und Erde:Rezitativ (Raphael, Uriel, Chor)" by Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner, Jan-Hendrik Rootering, Barbara Bonney, Südfunk-Chor, Hans Peter Blochwitz was released on 1990. The duration of Die Schöpfung HobXXI/2, PART 1: Am Anfange schuf Gott Himmel und Erde:Rezitativ (Raphael, Uriel, Chor) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Die Schöpfung HobXXI/2, PART 1: Am Anfange schuf Gott Himmel und Erde:Rezitativ (Raphael, Uriel, Chor)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sir Neville Marriner's "Haydn: Die Schoepfung" album is number 2 out of 35. In terms of popularity, Die Schöpfung HobXXI/2, PART 1: Am Anfange schuf Gott Himmel und Erde:Rezitativ (Raphael, Uriel, Chor) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Schöpfung HobXXI/2, PART 1: Am Anfange schuf Gott Himmel und Erde:Rezitativ (Raphael, Uriel, Chor) BPM
We consider the tempo marking of Die Schöpfung HobXXI/2, PART 1: Am Anfange schuf Gott Himmel und Erde:Rezitativ (Raphael, Uriel, Chor) by Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner, Jan-Hendrik Rootering, Barbara Bonney, Südfunk-Chor, Hans Peter Blochwitz to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
Die Schöpfung HobXXI/2, PART 1: Am Anfange schuf Gott Himmel und Erde:Rezitativ (Raphael, Uriel, Chor) Key
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | |
 | Offenbach: Les Contes d'Hoffmann, Act IV: No. 13, Barcarolle, "Belle nuit, ô nuit d'amour" (Orchestral Version) | Jacques Offenbach, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | D Major | 1 | 10B | 88 BPM | |
 | Suite for Cello and Orchestra, Op. 16: II. Sérénade (andantino) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | G Minor | 0 | 6A | 141 BPM | |
 | Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Radio-Sinfonieorchester Stuttgart, Sergiu Celibidache | B♭ Major | 2 | 6B | 105 BPM | |
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | Les Danaides, 1. Akt, 1. Szene: Un poco adagio | Antonio Salieri, Francois Bailly, Louis Théodore Baron de Tchudy, Radio-Sinfonieorchester Stuttgart/Gianluigi Gelmetti, Gianluigi Gelmetti, Radio-Sinfonieorchester Stuttgart | E♭ Major | 1 | 5B | 97 BPM | |
 | Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | C Major | 3 | 8B | 78 BPM | |
 | Two Waltzes in A Major, Op. 39, No. 15 & Op. 52, No. 6 (Arr. Stephan Koncz) | Johannes Brahms, Andreas Ottensamer, Leonidas Kavakos, Christoph Koncz, Antoine Tamestit, Stephan Koncz, Odon Racz | D Major | 3 | 10B | 102 BPM | |
 | Handel: Berenice, HWV 38, Overture: II. Andante (Larghetto) | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 77 BPM | |
 | Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5697731971740723
End: 0.5749869346618652