"Livre posthume (1740): X. Basse de trompette ou de cromorne" by Louis Marchand, Jean-Baptiste Robin was released on July 1, 2001. With Livre posthume (1740): X. Basse de trompette ou de cromorne being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Louis Marchand, Jean-Baptiste Robin's "Louis Marchand: L'œuvre pour orgue" album is number 10 out of 23. In terms of popularity, Livre posthume (1740): X. Basse de trompette ou de cromorne is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Livre posthume (1740): X. Basse de trompette ou de cromorne by Louis Marchand, Jean-Baptiste Robin to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in E Minor, H. 652, Wq. 177: III. Allegro | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Zaïde, reine de Grenade: Air pour les Turcs en rondeau | Joseph-Nicolas-Pancrace Royer, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 0 | 2B | 141 BPM | ||
Sonata for Violin and Basso Continuo in G Major, GWV 707: I. Andante | Christoph Graupner, Naomi Dumas, Caitlyn Koester | E♭ Minor | 1 | 2A | 109 BPM | ||
Sinfonia a quattro No. 5 in D Major, SF C776: II. Adagio | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | ||
Fantazia V, Z. 736 | Henry Purcell, John Holloway, Monika Baer, Renate Steinmann, Martin Zeller | E Major | 2 | 12B | 139 BPM | ||
Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: VI. Pt. 5 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Der Mensch, ein Gottesmörder: Wir sind nun angelanget | Leopold Mozart, Harmonices Mundi, Bozen Baroque Ensemble, Claudio Astronio, Susanne Rydén | B♭ Major | 1 | 6B | 173 BPM | ||
Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Preludio | Nicola Matteis, Ophélie Gaillard, Pulcinella Orchestra | A♭ Minor | 0 | 1A | 119 BPM | ||
Suite No. 12 in C Major, FbWV 612: III. Sarabande | Johann Jakob Froberger, Władysław Kłosiewicz | B Major | 2 | 1B | 80 BPM | ||
Charpentier : Concert pour 4 parties de violes H545 : I Prelude | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | B Major | 2 | 1B | 171 BPM |
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