"Black Market" by Kate Lindsey, Steven Blier, New York Festival Of Song was released on March 8, 2024. With this song being about 5 minutes long, at 5:17, "Black Market" by Kate Lindsey, Steven Blier, New York Festival Of Song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "NYFOS Records: The Singles, Vol. I". In this album, this song's track order is #11. Black Market is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Black Market by Kate Lindsey, Steven Blier, New York Festival Of Song having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | G Major | 1 | 9B | 75 BPM | ||
Mond, so gehst du wieder auf | Kate Lindsey, Baptiste Trotignon | E Major | 0 | 12B | 84 BPM | ||
Hubička, JB 1:104 "The Kiss": Vendulka's Lullaby, Hajej, Můj Andílku "Hush-a-Bye, My Angel" | Opera Australia Orchestra, Nicole Car | A Minor | 1 | 8A | 68 BPM | ||
Bolcom: Cabaret Songs, Volume I: No. 4, Waitin | William Bolcom, Kate Royal | F Major | 0 | 7B | 86 BPM | ||
L'incoronazione di Poppea, Atto III, Scena finale: "Pur ti miro! Pur ti godo!" | Claudio Monteverdi, Kate Lindsey, Nardus Williams, Arcangelo, Jonathan Cohen | A Minor | 3 | 8A | 67 BPM | ||
L'incoronazione di Poppea, SV 308, Atto III, Scena 8: Per capirti negl'occhi (Nerone, Poppea) | Claudio Monteverdi, Kate Lindsey, Sonya Yoncheva, Les Arts Florissants, William Christie | D♭ Major | 2 | 3B | 85 BPM | ||
Addio ai Viennesi - Live | Michael Spyres, Steven Blier, New York Festival Of Song | E Major | 2 | 12B | 69 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
L'incoronazione di Poppea: "Pur ti miro" | Claudio Monteverdi, Pianca Luca, Roberta Invernizzi, Sonia Prina, Ensemble Claudiana | D♭ Minor | 5 | 12A | 83 BPM |
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